ACE 2004: Singapore

• Frontmatter.
  
• Junji Watanabe, Hideyuki Ando, Taro Maeda:
  Gaze-triggered selective information display. 10-17
  
• Josephine Reid, Mathew Lipson, Jenny Hyams, Kate L. Shaw:
  "Fancy a schmink?": a novel networked game in a café. 18-23
  
• Itaru Kuramoto, Kazumasa Kashiwagi, Yu Shibuya, Yoshihiro Tsujino, Shigeki Ohtsuka:
  How can entertainment improve workers' motivation and their productivity? 24-31
  
• Fred Charles, Marc Cavazza, Steven J. Mead, Olivier Martin, Alok Nandi, Xavier Marichal:
  Compelling experiences in mixed reality interactive storytelling. 32-40
  
• Naho Inamoto, Hideo Saito:
  Free viewpoint video synthesis and presentation of sporting events for mixed reality entertainment. 42-50
  
• David Joseph Chaplin, Abdennour El Rhalibi:
  IPD for emotional NPC societies in games. 51-60
  
• Seung Zoo Jeong, Naoki Hashimoto, Makoto Sato:
  A novel interaction system with force feedback between real - and virtual human: an entertainment system: "virtual catch ball". 61-66
  
• Fusako Kusunoki, Ikuko Eguchi Yairi, Takuichi Nishimura:
  Multi-Audible table for collaborative work. 67-73
  
• Andrew G. Brooks, Jesse Gray, Guy Hoffman:
  Robot's play: interactive games with sociable machines. 74-83
  
• Fusako Kusunoki, Ayako Isyama, Kouji Tokiwa, Takuichi Nishimura:
  The sensing board enhanced by interactive sound system for collaborative work. 84-90
  
• Annika Wolff, Paul Mulholland, Zdenek Zdráhal:
  Scene-driver: a narrative-driven game architecture reusing broadcast animation content. 91-99
  
• Dan Fielding, Mike Fraser, Brian Logan, Steve Benford:
  Extending game participation with embodied reporting agents. 100-108
  
• Magy Seif El-Nasr:
  A user-centric adaptive story architecture: borrowing from acting theories. 109-116
  
• Nicholas Cooper, Aaron Keatley, Maria Dahlquist, Simon Mann, Hannah Slay, Joanne Zucco, Ross Smith, Bruce H. Thomas:
  Augmented Reality Chinese Checkers. 117-126
  
• Yutaka Ishibashi, Hidehiko Kasugai, Masaki Fujimoto:
  An intra-stream synchronization algorithm for haptic media in networked virtual environments. 127-133
  
• Yutaka Ishibashi, Katsunori Inazumi, Shuji Tasaka, Toshio Asano:
  Media synchronization between voice and movement of avatars in networked virtual environments. 134-139
  
• Peter K. K. Loh, S. Phong, Wentong Cai, Tony Kai Yun Chan:
  Multiplayer internet gaming with VRML: a relook. 140-147
  
• Johnny Friberg, Dan Gärdenfors:
  Audio games: new perspectives on game audio. 148-154
  
• Henrik Lörstad, Mark d'Inverno, John Eacott:
  The intelligent street: responsive sound environments for social interaction. 155-162
  
• Carsten Magerkurth, Timo Engelke, Maral Memisoglu:
  Augmenting the virtual domain with physical and social elements: towards a paradigm shift in computer entertainment technology. 163-172
  
• Ryoichi Watanabe, Yuichi Itoh, Masatsugu Asai, Yoshifumi Kitamura, Fumio Kishino, Hideo Kikuchi:
  The soul of ActiveCube: implementing a flexible, multimodal, three-dimensional spatial tangible interface. 173-180
  
• Shigeru Sakurazawa, Naofumi Yoshida, Nagisa Munekata:
  Entertainment feature of a game using skin conductance response. 181-186
  
• Andrea Mazzone, Christian P. Spagno, Andreas M. Kunz:
  The HoverMesh: a deformable structure based on vacuum cells: new advances in the research of tangible user interfaces. 187-193
  
• Manuel Oliveira:
  Virtual environment system layered object model. 194-202
  
• Duncan McCaffery, Joe Finney:
  The need for real time consistency management in P2P mobile gaming environments. 203-211
  
• Tristan Barnett, Stephen R. Clarke:
  Optimizing returns in the gaming industry for players and operators of Video Poker machines. 212-216
  
• Miki Namatame, Yasushi Harada, Fusako Kusunoki, Takao Terano:
  Edutaining school pupils for Japanese hand alphabets. 217-221
  
• Jayakumar S. Kandhasamy, Ming Xie:
  From text to images through meanings. 222-227
  
• Kiel Mark Gilleade, Alan J. Dix:
  Using frustration in the design of adaptive videogames. 228-232
  
• Tanja Lang, Philip Branch, Grenville J. Armitage:
  A synthetic traffic model for Quake3. 233-238
  
• Stephano Zanetti, Abdennour El Rhalibi:
  Machine learning techniques for FPS in Q3. 239-244
  
• Chek Yang Foo, Elina M. I. Koivisto:
  Defining grief play in MMORPGs: player and developer perceptions. 245-250
  
• Peter Quax, Patrick Monsieurs, Wim Lamotte:
  Performance evaluation of client-side video stream quality selection using autonomous avatars. 251-256
  
• Grenville J. Armitage, Lawrence Stewart:
  Limitations of using real-world, public servers to estimate jitter tolerance of first person shooter games. 257-262
  
• Anne-Gwenn Bosser:
  Massively multi-player games: matching game design with technical design. 263-268
  
• Carsten Matysczok, Rafael Radkowski, Jan Berssenbrügge:
  AR-bowling: immersive and realistic game play in real environments using augmented reality. 269-276
  
• Charles Woodward, Petri Honkamaa, Jani Jäppinen, Esa-Pekka Pyökkimies:
  CamBall: augmented networked table tennis played with real rackets. 275-276
  
• Nitiwat Sanornoi, Pitikhate Sooraksa:
  Artificial intelligence based on fuzzy behavior for game programming. 277-279
  
• Lesley Anderson, Jon Purdy, Warren Viant:
  Variations on a fuzzy logic gesture recognition algorithm. 280-283
  
• Lynne E. Hall, Adrian Gordon, Russell James, Lynne Newall:
  A lightweight rule-based Al engine for mobile games. 284-289
  
• Masumi Shimizu, Mie Nakatani, Hirokazu Kato, Shogo Nishida:
  Communication environment for sharing fond memories. 290-295
  
• Hirofumi Morioka, Mie Nakatani, Shogo Nishida:
  Proposal of an algorithm to synthesize music suitable for dance. 296-301
  
• Diego J. Díaz, Clara Boj Tovar, Moisés Mañas Carbonell:
  "SeeSaw videogame" a new multi-user collaborative game device. 302-306
  
• Junichi Hoshino, Hiroshi Mori, Atsushi Nakano, Jun Takazawa:
  Embodied 3D story space. 307-312
  
• Dhananjay Sampath:
  ABRCon, Adaptive oBject Re-CONfiguration: an approach to enhance, repeat playability of games and repeat watchability of movies. 313-316
  
• Masaki Fujimoto, Yutaka Ishibashi:
  The effect of stereoscopic viewing of a virtual space on a networked game using haptic media. 317-320
  
• Volker Paelke, Christian Reimann, Dirk Stichling:
  Foot-based mobile interaction with games. 321-324
  
• Sam-ha Choi, Hee-Dong Chang, Kyung-Sik Kim:
  Development of force-feedback device for PC-game using vibration. 325-330
  
• Ernest A. Edmonds, Andrew Martin, Sandra Pauletto:
  Audio-visual interfaces in digital art. 331-336
  
• Wai-Chun Lam, Feng Zou, Taku Komura:
  Motion editing with data glove. 337-342
  
• Ig-Jae Kim, Hyun Jin Lee, Hyoung-Gon Kim:
  Magic mirror: a new VR platform design and its applications. 343-348
  
• Nipan Maniar, William Garrison:
  Dynamic streaming media: creating custom programmes in real-time. 349
  
• Steffen P. Walz, Gerhard M. Buurman, Christoph Wartmann, Simon Schirm, Ádám Moravánszky, Ronald Vuillemin:
  Carplication: a rhetorical study information racer. 350-351
  
• Hiroshi Mori, Sayuri Ohta, Junichi Hoshino:
  Automatic dance generation from music annotation. 352-353
  
• Atsushi Nakano, Rai Chan, Junichi Hoshino:
  Panorama-based immersive story environment. 354
  
• William Carter, Scott S. Fisher:
  Mobile sound communities. 355-356
  
• Siddharth Singh, Adrian David Cheok, Soh Chor Kiong:
  A step towards anywhere gaming. 357-358
  
• Siddharth Singh, Adrian David Cheok, Guo Loong Ng, Farzam Farbiz:
  Augmented reality post-it system. 359
  
• Adrian David Cheok, Kok Hwee Goh, Wei Liu, Farzam Farbiz, Sze Lee Teo, Hui Siang Teo, Shang Ping Lee, Yu Li, Siew Wan Fong, Xubo Yang:
  Human Pacman: a mobile wide-area entertainment system based on physical, social, and ubiquitous computing. 360-361
  
• Zhiying Zhou, Adrian David Cheok, Tingting Chan, Yu Li:
  Jumanji Singapore: an interactive 3D board game turning hollywood fantasy into reality. 362-363
  
• Zhiying Zhou, Adrian David Cheok, Jiun Horng Pan, Yu Li:
  Magic Story Cube: an interactive tangible interface for storytelling. 364-365