5. Creativity & Cognition 2005: London, UK

• Margaret A. Boden:
  Aesthetics and interactive art. 1-2
  
• Bill Buxton:
  The renaissance is over: long live the renaissance. 3
  

Full papers

• Marc Cavazza, Jean-Luc Lugrin, Sean Crooks, Alok Nandi, Mark Palmer, Marc Le Renard:
  Causality and virtual reality art. 4-12
  
• Michael Eisenberg, Nwanua Elumeze, Leah Buechley, Glenn Blauvelt, Sue Hendrix, Ann Eisenberg:
  The homespun museum: computers, fabrication, and the design of personalized exhibits. 13-21
  
• Brower Hatcher, Karl Aspelund, Andrew R. Willis, Jasper Speicher, David B. Cooper, Frederic F. Leymarie:
  Computational schemes for biomimetic sculpture. 22-31
  
• Joanna Berzowska:
  Memory rich clothing: second skins that communicate physical memory. 32-40
  
• Petra Gemeinboeck:
  Constituting, traversing and perforating boundaries: embodied interaction in immersive virtual spaces. 41-48
  
• Jack Ox:
  Gridjam. 49-53
  
• Frieder Nake:
  Computer art: a personal recollection. 54-62
  
• Sue Thomas:
  The tools of online community: the first five years of the trAce online writing centre. 63-70
  
• Nicholas Lambert:
  The CACHe project: its work and outcomes. 71-75
  
• Stephen Jones:
  A cultural systems approach to collaboration in art & technology. 76-85
  
• George Mallen:
  Reflections on Gordon Pask's adaptive teaching concepts and their relevance to modern knowledge systems. 86-91
  
• Christopher L. Salter, Sha Xin Wei:
  Sponge: a case study in practice-based collaborative art research. 92-101
  
• Aleksandar Zivanovic:
  The development of a cybernetic sculptor: Edward Ihnatowicz and the senster. 102-108
  
• Christoph Klütsch:
  The summer 1968 in London and Zagreb: starting or end point for computer art? 109-117
  
• Andy Warr, Eamonn O'Neill:
  Understanding design as a social creative process. 118-127
  
• Gerhard Fischer:
  Distances and diversity: sources for social creativity. 128-136
  
• Robin Oppenheimer:
  A strange dance: the creative collaborative origins & processes of "9 evenings: theatre & engineering". 137-143
  
• Jerry Watkins, Angelina Russo:
  Digital cultural communication: designing co-creative new media environments. 144-149
  
• Norio Ishii, Kazuhisa Miwa:
  Supporting reflective practice in creativity education. 150-157
  
• Stephen Boyd Davis, Magnus Moar:
  The amateur creator. 158-165
  
• Andrew Johnston, Shigeki Amitani, Ernest A. Edmonds:
  Amplifying reflective thinking in musical performance. 166-175
  
• Pamela Jennings:
  Tangible social interfaces: critical theory, boundary objects and interdisciplinary design methods. 176-186
  
• Lori Shyba, James Tam:
  Developing character personas and scenarios: vital steps in theatrical performance and HCI goal-directed design. 187-194
  
• John Restrepo, Henri Christiaans:
  From function to context to form: precedents and focus shifts in the form creation process. 195-204
  
• Sha Xin Wei, Satinder P. Gill:
  Gesture and response in field-based performance. 205-209
  
• Mike Leggett:
  Losers and finders: indexing audio-visual digital media. 210-217
  

Poster papers

• Shigeki Amitani, Ernest A. Edmonds:
  Knowledge nebula crystallizer for time-based information. 218-221
  
• Jürg Gutknecht, Arthur Clay, Thomas M. Frey:
  GoingPublik: suggesting creativity inside the ivory tower. 222-225
  
• Peter Copley, Andrew Gartland-Jones:
  Musical form and algorithmic solutions. 226-231
  
• Gary R. Greenfield:
  Computational aesthetics as a tool for creativity. 232-235
  
• Mike Leggett:
  PathScape: indexing audio-visual digital media. 236-239
  
• Phebe Mann:
  Design for design: support for creative practice in computer-supported collaborative work (CSCW) in design. 240-243
  
• Stuart Mealing:
  Drawing in three dimensions: a paradigm shift. 244-247
  

Demonstrations

• Tim Blackwell, Janis Jefferies:
  Tech-tiles: exploring texture. 248-251
  
• Tracy Cohen, Ben Clemens:
  Social networks for creative collaboration. 252-255
  
• Hans E. Dehlinger:
  Generating pen-plotter drawings from selective point-sets of digital photographs. 256-258
  
• Kelly Dobson:
  Wearable body organs: critical cognition becomes (again) somatic. 259-262
  
• Pamela Jennings:
  Constructed narratives a tangible social interface. 263-266
  
• Barbara Layne, Yacov Sharir:
  Twining: a demonstration in wearable computing. 267-268
  
• Peter Steel:
  Timeline of a drawing research methodology 1983 - 2004. 269-272
  

Exhibition papers

• Ingrid Bachmann:
  Digital crustaceans: homesteading on the world wide web. 273-274
  
• Derek Michael Besant:
  Sleepless night: amnesia. 275-278
  
• Guy Birkin:
  Art, digitality and consciousness. 279-282
  
• Jim Bizzocchi:
  Streaming video: an experiment in new aesthetics. 283-285
  
• Sandy Black, Morris Baker:
  Work in process: artists' collaborations in fashion and textiles. 286-288
  
• Ernest A. Edmonds, Mark Fell:
  Kyoto to Sheffield. 289-290
  
• Kellyann Geurts:
  A theory of error. 291-293
  
• Alexandra Haeseker:
  Burning Sappho's books. 294-297
  
• Brower Hatcher, Karl Aspelund, Andrew R. Willis, Jasper Speicher, David B. Cooper, Frederic F. Leymarie:
  Exhibition: computational schemes for biomimetic sculpture. 298-300
  
• Warren Neidich, Robert Zimmer, Thibaud de Souza:
  Society of neurons: an arts/science project. 301-304
  
• Lorraine Oades:
  Invisible sculpture #1. 305
  
• Bruce Wands:
  Variations: an interactive musical sculpture. 306-309
  

Invited workshop

• John Haworth, Sue Gollifer, James Faure Walker, Paul Coldwell, Tom Kemp, Jon Pengelly:
  Freedom and constraint in the creative process in digital fine art: an AHRB invited workshop. 310-317
  

Tutorial

• Thomas T. Hewett:
  Cognitive factors in design: overview and some implications for design. 318-321
  

Panel Session

• Paul Brown, Phil Husbands, Margaret A. Boden, Catherine Mason, Alan Sutcliffe:
  Creating histories. 322-323