Culture and Computing 2011: Kyoto, Japan

• Zhigeng Pan, Ruiying Jiang, Gengdai Liu, Cailiang Shen:
  Animating and Interacting with Ancient Chinese Painting - Qingming Festival by the Riverside. 3-6
  
• John Mc Breen, Gennaro di Tosto, Frank Dignum, Gert Jan Hofstede:
  Linking Norms and Culture. 9-14
  
• Jean-Pierre Briot, Marta de Azevedo Irving, Gustavo Mendes de Melo, Eurico Vasconcelos Filho, Isabelle Alvarez, Sophie Martin, Wei Wei:
  A Serious Game and Artificial Agents to Support Intercultural Participatory Management of Protected Areas for Biodiversity Conservation and Social Inclusion. 15-20
  
• Fumiko Kano Glückstad:
  Alignment of Remote Cultures: In Contrast to the Relevance Theory of Communication. 21-26
  
• Sarah Kenderdine, Lew Lancaster, Howie Lan, Tobias Gremmler:
  Omnidirectional 3D Visualization for the Analysis of a Large-Scale Corpus: Tripitaka Koreana. 27-32
  
• Isaac V. Kerlow:
  Earth Girl Saves the Day: A Computer Game Prototype about Earth Hazards. 33-38
  
• Min Lu, Mawo Kamakura, Bo Zheng, Jun Takamatsu, Ko Nishino, Katsushi Ikeuchi:
  Clustering Bayon Face Towers Using Restored 3D Shape Models. 39-44
  
• Juan-Luis Suárez, Fernando Sancho-Caparrini, Javier de la Rosa Perez:
  The Art-Space of a Global Community: The Network of Baroque Paintings in Hispanic-America. 45-50
  
• Kathi Martin, Hyeong-Seok Ko:
  Imagining Historic Fashion: Digital Tools for the Examination of Historic Dress. 51-56
  
• David M. Meurer:
  Towards a Dialogic Archive: Canadian Copyright Law, Digital Archives and Fair Dealing. 57-62
  
• Mai Miyabe, Takashi Yoshino:
  Features of Accuracy Mismatch between Back-Translated Sentences and Target-Translated Sentences. 63-68
  
• Ryohei Nakatsu, Chamari Priyange Edirisinghe:
  The Role of Movies and Telephony in the History of Communication Media. 69-73
  
• Agnieszka Pokrywka:
  Computer Art for Non-computer People. 74-79
  
• Matthias Rauterberg:
  The Three Phases of Life: An Inter-cultural Perspective. 80-85
  
• Andrew Smith, Lizette Reitsma, Elise van den Hoven, Paula Kotzé, Louis Coetzee:
  Towards Preserving Indigenous Oral Stories Using Tangible Objects. 86-91
  
• Virach Sornlertlamvanich, Thatsanee Charoenporn:
  Cultural Knowledge Co-creation on Social Networking Paradigm. 92-97
  
• Naoko Tosa, Ryotaro Konoike, Ryohei Nakatsu:
  KABUKI-MONO: The Art of Kumadori Facial Expression for Manga and Cosplay. 98-103
  
• Linsi Xia, Naomi Yamashita, Toru Ishida:
  Analysis on Multilingual Discussion for Wikipedia Translation. 104-109
  
• Mika Yasuoka, Pernille Bjørn:
  Machine Translation Effect on Communication: What Makes It Difficult to Communicate through Machine Translation? 110-115
  
• Julien Bourdon, Toru Ishida:
  A Graph Based Model for Understanding Localisation Patterns in Multilingual Websites. 119-120
  
• Thavesak Chuensaichol, Pizzanu Kanongchaiyos, Chai Wutiwiwatchai:
  Thai Speech-Driven Facial Animation. 121-122
  
• Chamari Priyange Edirisinghe, Ryohei Nakatsu, Johannes Widodo, Adrian David Cheok:
  Conceptualizing Third Space in Networked Social Media. 123-124
  
• Owen Noel Newton Fernando, Saipang Chan, Naoko Tosa, Ryohei Nakatsu, Adrian David Cheok, Ajith P. Madurapperuma:
  Personalized Cultural Information for Mobile Devices. 125-126
  
• Ari Hautasaari, Toru Ishida:
  Discussion about Translation in Wikipedia. 127-128
  
• Noriyuki Ishida, Toshiyuki Takasaki, Masanobu Ishimatsu, Toru Ishida:
  Supporting Multilingual Discussion for Wikipedia Translation. 129-130
  
• Bhupinder Kochhar, Anju Sharma, Ashish Jolly:
  Cultural Computing: A Case Study of Northern Indian Culture. 131-132
  
• Anette Löfström:
  Culture as Similarities and Dynamics: Suggesting Reinterpretations of Geert Hofstede's Work. 133-134
  
• Mario Paolucci, Stefano Picascia:
  Enhancing Collective Filtering with Causal Representation. 135-136
  
• Seiji Sugiyama, Atsushi Ikuta, Miyuki Shibata, Tohru Matsuura:
  An Event Oriented Data Management Method for Displaying Genealogy with a New Function for Direct Descent Family Lines. 137-138
  
• Hiroshi Higashida:
  The Role of Computers in Puzzle World. 141-142
  
• Isaac V. Kerlow:
  Sudden Nature: The Uneasy Relationship between Man and Nature. 143-144
  
• Khoo Eng Tat, Roshan Lalintha Peiris, Matthias Rauterberg:
  3D Guqin: Digital Playground to Explore Music that Embodies Chinese Culture and Philosophy. 145-146
  
• Sigit Kusumanugraha, Akinori Ito, Koji Mikami, Kunio Kondo:
  An Analysis of Indonesian Traditional "Wayang Kulit" Puppet 3D Shapes Based on Their Roles in the Story. 147-148
  
• Mi-Hee Lee, Un-Mi Kim, Jong-Il Park:
  An Analysis Methodology on Emotion of Korean Traditional Dance Using a Virtual Reality System. 149-150
  
• Ryohei Nakatsu, Chamari Priyange Edirisinghe:
  Artistic Communication Using Digital Media. 151-152
  
• Naoki Nishikawa, Naoko Tosa:
  Iroha Pad: A Waka Composing and Playing Interface Using the Anagram of the Iroha Poem. 153-154
  
• Kunihisa Ohno, Ryotaro Konoike, Naoko Tosa:
  IOCW: Navigation of Open Course Ware. 155-156
  
• Naoko Tosa, Ryotaro Konoike, Ryohei Nakatsu, Alistair Swale:
  HISTORIA: Filling the Gap of Time and Space. 157-158
  
• Makoto Watanabe, Naoko Tosa, Tatsuya Kawahara:
  Japanese Painting Study Tool: A System for Creating Nihonga Portraits. 159-160
  
• Yanxiang Zhang, Chunyong Yang, Fangbemi Abassin, Natsuki Takayama, Shunbing Meng, Hiroki Takahashi:
  "Cho-Shi" Animation Based on Traditional Chinese Handmade Paper Texture. 161-162
  
• Biligsaikhan Batjargal, Fuminori Kimura, Akira Maeda:
  Realizing Bilingual and Parallel Access to Ukiyo-e Databases in the World. 165-166
  
• Worawat Choensawat, Sachie Takahashi, Minako Nakamura, Kozaburo Hachimura:
  The Use of Labanotation for Choreographing a Noh-Play. 167-168
  
• Seth Denbo, Neil Fraistat:
  Diggable Data, Scalable Reading and New Humanities Scholarship. 169-170
  
• Shlomo Dubnov, Benjamin Stuart-Thompson, Ella Bezberg, Eitan Eliram:
  Expressions: Inter-professional Culture via Coactive Digital Humanities Platform. 171-172
  
• Yoichi Iwasaki, Kiyonori Nagasaki, Masahiro Shimoda, Hiroko Kume:
  Multi-device Delivery of Research Results: Case Study of the Ningbo Project. 173-174
  
• Yoshimi Iwata:
  Phylogenetic Approach for Estimating Noh Archetypes. 175-176
  
• Tetsuro Kamura, Hideaki Takeda, Ikki Ohmukai, Fumihiro Kato, Toru Takahashi, Hiroshi Ueda:
  Study Support and Integration of Cultural Information Resources with Linked Data. 177-178
  
• Tomotaro Kaneko, Kazuhiro Jo:
  Generative Music Workshop. 179-180
  
• Ayae Kido, Kosuke Wakabayashi, Tomomi Hatano, Akinobu Nameda, Shinya Saito, Mitsuyuki Inaba, Tatsuya Sato:
  Visualizing and Analyzing Cultural Voices in Computer-Mediated Communication through Social Gaming Simulation. 181-182
  
• Fuminori Kimura, Mamoru Yoshimura, Akira Maeda:
  Term Extraction from Japanese Ancient Writings Using Probability of Character N-grams. 183-184
  
• Mamiko Sakata, Sachika Kurasaka:
  Basic Study in Ma Timing in Gagaku: Between the Dancer and the Ryuteki Player in Bugaku Dance "Ryo-Ou". 185-186
  
• Haruko Takahashi:
  A Digital Archive of the Fashion, Dress and Behavior from Meiji to Early Showa Periods (1868-1945) in Japan. 187-188
  
• Michiru Tamai, Mitsuyuki Inaba, Koichi Hosoi, Ruck Thawonmas, Masayuki Uemura, Akinori Nakamura:
  Constructing Situated Learning Platform for Japanese Language and Culture in 3D Metaverse. 189-190
  
• Alejandro Toledo, Kingkarn Sookhanaphibarn, Ruck Thawonmas, Frank J. Rinaldo:
  Visual Recommendations from Japanese Historical Diary. 191-192
  
• Makoto Uemura, Masatsugu Yamamoto, Satoshi Tanaka, Susumu Nakata, Kyoko Hasegawa:
  Particle-Based Transparent Visualization of 3D Inner Structure of Funeboko in Gion Festival. 193-194
  
• Harry Vermeulen, Toru Takahashi, Machi Takahashi, Kohei Ohtsuka, Takashige Nakagawa, Hiroshi Ueda:
  Stroly: A Historic and Illustrated Maps Platform. 195-196
  

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