DPPI 2003: Pittsburgh, PA, USA

Understanding what to design through empathy and emotio

• Anu Antikainen, Mirja Kälviäinen, Hugh Miller:
  User information for designers: a visual research package. 1-5
  
• Karen Reijneveld, Michiel de Looze, Frank Krause, Pieter Desmet:
  Measuring the emotions elicited by office chairs. 6-10
  
• Lin-Lin Chen, G. F. Wang, Kun-An Hsiao, Joseph Liang:
  Affective product shapes through image morphing. 11-16
  

Stigma and the sensorial experience of objects

• Daniel M. Gloyd:
  Positive user experience and medical adherence. 17-21
  
• Pieter Desmet, Eva Dijkhuis:
  A wheelchair can be fun: a case of emotion-driven design. 22-27
  
• Fiona Jane Candy:
  The fabric of society: a proposal to investigate the emotional and sensory experience of wearing denim clothing. 28-33
  
• David Weightman, Deana McDonagh:
  People are doing it for themselves. 34-39
  

Building blocks for effective education

• Ming-Huang Lin:
  Archetypal icon and delightful design. 40-44
  
• Poh Wah Khong, Jing Pu Song:
  Exploring user's emotional relationships with IT products: a structural equation model. 45-50
  
• Audrey Bennett:
  When negative emotions effect positive change. 51-54
  

Objects of attention, desire, and fulfillment

• Christoph Bartneck:
  Interacting with an embodied emotional character. 55-60
  
• Michael R. Dickinson:
  Umm and the matchbox: 'the object of desire and the desired object'. 61-66
  
• Carl F. DiSalvo, Francine Gemperle:
  From seduction to fulfillment: the use of anthropomorphic form in design. 67-72
  
• Clay Burns, Daniel Formosa:
  XM SKYFi: searching for extreme usability. 73-76
  

Reflection on pleasure

• Martin Woolley:
  horeographing obsolescence - ecodesign: the pleasure/dissatisfaction cycle. 77-81
  
• Liz C. Throop:
  Field of play: sensual interface. 82-86
  
• Wilson Oh, Poh Wah Khong:
  Competitive advantage through pleasurable products. 87-91
  
• Kees Overbeeke, Stephan Wensveen:
  From perception to experience, from affordances to irresistibles. 92-97
  

Recording experience through images

• Esko Kurvinen:
  Only when miss universe snatches me: teasing in MMS messaging. 98-10
  
• Jodi Forlizzi, Francine Gemperle, Carl F. DiSalvo:
  Perceptive sorting: a method for understanding responses to products. 103-108
  
• Katja Battarbee:
  Defining co-experience. 109-113
  

Methods for empathic design

• Paul Hekkert, Marc Mostert, Guido Stompff:
  Dancing with a machine: a case of experience-driven design. 114-119
  
• Heather L. McQuaid, Aradhana Goel, Mickey McManus:
  When you can't talk to customers: using storyboards and narratives to elicit empathy for users. 120-125
  
• Vesa Jääskö, Tuuli Mattelmäki:
  Observing and probing. 126-131
  

Posters

• Pertti Aula, Janne Pekkala, Jenni Romppainen:
  Modeling the socio-cultural context. 132-133
  
• Cathy Barnes, Christian Southee, Brian Henson:
  The impact of affective design of product packaging upon consumer purchase decisions. 134-135
  
• Mads Bødker, Martin S. Christensen, Anker Helms Jørgensen:
  Understanding affective design in a late-modernity perspective. 136-137
  
• Vera Damazio, Pablo Dias:
  www.a.site.for.things-that.bring.back.memories. 138-139
  
• Dan Högberg:
  Use of characters and scenarios in gear shift design. 140-141
  
• Titti Kallio:
  Why we choose the more attractive looking objects: somatic markers and somaesthetics in user experience. 142-143
  
• Marin Katov, Noriaki Nomura, Kuniaki Ito:
  The visual information load as a parameter for designing pleasurable environment. 144-145
  
• Beatriz Russo, Anamaria de Moraes:
  The lack of usability in design icons: an affective case Study about Juicy Salif. 146-147
  
• John Sedgwick, Brian Henson, Cathy Barnes:
  Sensual surfaces: engaging consumers through surface textures. 148-149
  
• Zeynep Sevener:
  A semantic differential study of the influence of aesthetic properties on product pleasure. 150-151
  
• John Zimmerman:
  Exploring the role of emotion in the interaction design of digital music players. 152-153