EvoMUSART 2012: Málaga, Spain

• Rui Filipe Antunes, Frederic F. Leymarie:
  Generative Choreography: Animating in Real-Time Dancing Avatars. 1-10
  
• Steven Bergen, Brian J. Ross:
  Aesthetic 3D Model Evolution. 11-22
  
• Jonathan Byrne, Erik Hemberg, Anthony Brabazon, Michael O'Neill:
  A Local Search Interface for Interactive Evolutionary Architectural Design. 23-34
  
• Simon Colton:
  Evolving a Library of Artistic Scene Descriptors. 35-47
  
• Eelco den Heijer, A. E. Eiben:
  Evolving Pop Art Using Scalable Vector Graphics. 48-59
  
• Eelco den Heijer, A. E. Eiben:
  Maintaining Population Diversity in Evolutionary Art. 60-71
  
• Arne Eigenfeldt, Philippe Pasquier:
  Populations of Populations: Composing with Multiple Evolutionary Algorithms. 72-83
  
• Francisco Fernández, Francisco Chavez:
  Fuzzy Rule Based System Ensemble for Music Genre Classification. 84-95
  
• José Fornari:
  A Computational Environment for the Evolutionary Sound Synthesis of Birdsongs. 96-107
  
• Gary Greenfield:
  A Platform for Evolving Controllers for Simulated Drawing Robots. 108-116
  
• Gregory S. Hornby, Josh Bongard:
  Learning Comparative User Models for Accelerating Human-Computer Collaborative Search. 117-128
  
• Colin G. Johnson:
  Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? 129-140
  
• Maximos A. Kaliakatsos-Papakostas, Michael G. Epitropakis, Andreas Floros, Michael N. Vrahatis:
  Interactive Evolution of 8-Bit Melodies with Genetic Programming towards Finding Aesthetic Measures for Sound. 141-152
  
• Yang Li, Changjun Hu, Ming Chen, Jingyuan Hu:
  Investigating Aesthetic Features to Model Human Preference in Evolutionary Art. 153-164
  
• Phil Lopes, Paulo Urbano:
  The Traveling Percussionist. 165-175
  
• Róisín Loughran, Jacqueline Walker, Michael O'Neill, James McDermott:
  Genetic Programming for Musical Sound Analysis. 176-186
  
• Penousal Machado, João Correia, Juan Romero:
  Expression-Based Evolution of Faces. 187-198
  
• James McDermott:
  Graph Grammars as a Representation for Interactive Evolutionary 3D Design. 199-210
  
• Somnuk Phon-Amnuaisuk:
  Polyphonic Transcription: Exploring a Hybrid of Tone Models and Particle Swarm Optimisation. 211-222
  
• Benjamin D. Smith, Guy E. Garnett:
  Reinforcement Learning and the Creative, Automated Music Improviser. 223-234
  

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