1. ICIDS 2008: Erfurt, Germany

Future Perspectives on Interactive Digital Storytelling (Keynotes)

• Andrew Stern:
  Embracing the Combinatorial Explosion: A Brief Prescription for Interactive Story R&D. 1-5
  
• Marie-Laure Ryan:
  Interactive Narrative, Plot Types, and Interpersonal Relations. 6-13
  
• Marc Cavazza, Stéphane Donikian, Marc Christie, Ulrike Spierling, Nicolas Szilas, Peter Vorderer, Tilo Hartmann, Christoph Klimmt, Elisabeth André, Ronan Champagnat, Paolo Petta, Patrick Olivier:
  The IRIS Network of Excellence: Integrating Research in Interactive Storytelling. 14-19
  

Interactive Storytelling Applications

• Frank Allan Hansen, Karen Johanne Kortbek, Kaj Grønbæk:
  Mobile Urban Drama - Setting the Stage with Location Based Technologies. 20-31
  
• Reid Swanson, Andrew S. Gordon:
  Say Anything: A Massively Collaborative Open Domain Story Writing Companion. 32-40
  
• Nye Parry, Helen Bendon, Stephen Boyd Davis, Magnus Moar:
  Locating Drama: A Demonstration of Location-Aware Audio Drama. 41-43
  
• Petri Lankoski, Tommi Horttana:
  Lies and Seductions. 44-47
  
• Kaoru Sumi:
  Animation-Based Interactive Storytelling System. 48-50
  
• Dan Pinchbeck:
  Dear Esther: An Interactive Ghost Story Built Using the Source Engine. 51-54
  
• Ulrich Fischer:
  Walking the Edit - A Research Project of the Master Cinema Network in Switzerland. 55-58
  

Virtual Characters and Agents

• Cyril Brom, Jakub Gemrot, Ondrej Burkert, Rudolf Kadlec, Michal Bída:
  3D Immersion in Virtual Agents Education. 59-70
  
• Magy Seif El-Nasr, Huaxin Wei:
  Exploring Non-verbal Behavior Models for Believable Characters. 71-82
  
• Federico Peinado, Marc Cavazza, David Pizzi:
  Revisiting Character-Based Affective Storytelling under a Narrative BDI Framework. 83-88
  
• Ido Aharon Iurgel:
  VirtualActor: Endowing Virtual Characters with a Repertoire for Acting. 89-91
  
• Sebastian A. Weiß, Florian Berger, Alexander Marbach, Wolfgang Müller:
  Steps towards a Generic Interface between Interactive Storytelling Applications and Character Animation Engines. 92-95
  

User Experience and Dramatic Immersion

• David Milam, Magy Seif El-Nasr, Ron Wakkary:
  Looking at the Interactive Narrative Experience through the Eyes of the Participants. 96-107
  
• Regina Friess:
  Play and Narration as Patterns of Meaning Construction: Theoretical Foundation and Empirical Evaluation of the User Experience of Interactive Films. 108-113
  
• Georg Struck, Ralf Böse, Ulrike Spierling:
  Trying to Get Trapped in the Past - Exploring the Illusion of Presence in Virtual Drama. 114-125
  
• Axel Berndt, Knut Hartmann:
  The Functions of Music in Interactive Media. 126-131
  
• Axel Berndt, Holger Theisel:
  Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. 132-143
  

Architectures for Story Generation

• Yun-Gyung Cheong, R. Michael Young:
  Narrative Generation for Suspense: Modeling and Evaluation. 144-155
  
• Byung-Chull Bae, R. Michael Young:
  A Use of Flashback and Foreshadowing for Surprise Arousal in Narrative Using a Plan-Based Approach. 156-167
  
• Mark O. Riedl, Neha Sugandh:
  Story Planning with Vignettes: Toward Overcoming the Content Production Bottleneck. 168-179
  
• María Arinbjarnar, Daniel Kudenko:
  Schemas in Directed Emergent Drama. 180-185
  
• Santiago Ontañón, Abhishek Jain, Manish Mehta, Ashwin Ram:
  Developing a Drama Management Architecture for Interactive Fiction Games. 186-197
  
• Angelo E. M. Ciarlini, Marcelo M. Camanho, Thiago R. Dória, Antonio L. Furtado, Cesar Tadeu Pozzer, Bruno Feijó:
  Planning and Interaction Levels for TV Storytelling. 198-209
  
• Arnav Jhala:
  Exploiting Structure and Conventions of Movie Scripts for Information Retrieval and Text Mining. 210-213
  
• Heather Barber, Daniel Kudenko:
  Generation of Dilemma-Based Narratives: Method and Turing Test Evaluation. 214-217
  

Models for Drama Management and Interacting with Stories

• Rui Figueiredo, António Brisson, Ruth Aylett, Ana Paiva:
  Emergent Stories Facilitated. 218-229
  
• David Thue, Vadim Bulitko, Marcia Spetch:
  Making Stories Player-Specific: Delayed Authoring in Interactive Storytelling. 230-241
  
• Anders Tychsen, Thea Brolund, Michael Hitchens:
  Verbal Communication of Story Facilitators in Multi-player Role-Playing Games. 242-249
  
• Joshua Tanenbaum, Karen Tanenbaum:
  Improvisation and Performance as Models for Interacting with Stories. 250-263
  
• Ivo Swartjes, Edze Kruizinga, Mariët Theune:
  Let's Pretend I Had a Sword: Late Commitment in Emergent Narrative. 264-267
  
• David L. Roberts, Charles Lee Isbell Jr., Mark O. Riedl, Ian Bogost, Merrick L. Furst:
  On the Use of Computational Models of Influence for Managing Interactive Virtual Experiences. 268-272
  

Authoring and Creation of Interactive Narratives

• Sandy Louchart, Ivo Swartjes, Michael Kriegel, Ruth Aylett:
  Purposeful Authoring for Emergent Narrative. 273-284
  
• David Pizzi, Marc Cavazza:
  From Debugging to Authoring: Adapting Productivity Tools to Narrative Content Description. 285-296
  
• Yun-Gyung Cheong, Yeo-Jin Kim, Wook-Hee Min, Eok-Soo Shim, Jin-Young Kim:
  PRISM: A Framework for Authoring Interactive Narratives. 297-308
  
• Anders Tychsen:
  Tales for the Many: Process and Authorial Control in Multi-player Role-Playing Games. 309-320
  
• Carlos Léon, Federico Peinado, Álvaro Navarro, Héctor Cortiguera:
  An Intelligent Plot-Centric Interface for Mastering Computer Role-Playing Games. 321-324
  
• Stefan Göbel, Luca Salvatore, Robert Arthur Konrad, Florian Mehm:
  StoryTec: A Digital Storytelling Platform for the Authoring and Experiencing of Interactive and Non-linear Stories. 325-328
  
• Dagmar Dörger, Martin Geisler:
  Workshop: Impro Theatre. 329
  
• Florian Berger, Alexander Marbach:
  Workshop: Pen-and-Paper Role-Playing. 330
  
• Ulrike Spierling, Ido Iurgel:
  Workshop and Panel: The Authoring Process in Interactive Storytelling. 331
  

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