9. ISMIR 2008:
Philadelphia, PA, USA
Juan Pablo Bello, Elaine Chew, Douglas Turnbull (Eds.):
ISMIR 2008, 9th International Conference on Music Information Retrieval, Drexel University, Philadelphia, PA, USA, September 14-18, 2008.
2008, ISBN 978-0-615-24849-3
Tutorials
Session 1a:
Harmony
- Ricardo Scholz, Geber Ramalho:
COCHONUT: Recognizing Complex Chords from MIDI Guitar Sequences.
27-32

- Xinglin Zhang, David Gerhard:
Chord Recognition using Instrument Voicing Constraints.
33-38

- Kouhei Sumi, Katsutoshi Itoyama, Kazuyoshi Yoshii, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
Automatic Chord Recognition Based on Probabilistic Integration of Chord Transition and Bass Pitch Estimation.
39-44

- Matthias Mauch, Simon Dixon:
A Discrete Mixture Model for Chord Labelling.
45-50

- Bas de Haas, Remco C. Veltkamp, Frans Wiering:
Tonal Pitch Step Distance: a Similarity Measure for Chord Progressions.
51-56

- Ching-Hua Chuan, Elaine Chew:
Evaluating and Visualizing Effectiveness of Style Emulation in Musical Accompaniment.
57-62

- Amelie Anglade, Simon Dixon:
Characterisation of Harmony With Inductive Logic Programming.
63-68

- Mathieu Bergeron, Darrell Conklin:
Structured Polyphonic Patterns.
69-74

- James Maxwell, Arne Eigenfeldt:
A Music Database and Query System for Recombinant Composition.
75-80

Session 1b:
Melody
- Dimitrios Rafailidis, Alexandros Nanopoulos, Yannis Manolopoulos, Emilios Cambouropoulos:
Detection of Stream Segments in Symbolic Musical Data.
83-88

- Marcus Pearce, Daniel Müllensiefen, Geraint A. Wiggins:
A Comparison of Statistical and Rule-Based Models of Melodic Segmentation.
89-94

- Michael Skalak, Jinyu Han, Bryan Pardo:
Speeding Melody Search With Vantage Point Trees.
95-100

- Anja Volk, Peter van Kranenburg, Jörg Garbers, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
A Manual Annotation Method for Melodic Similarity and the Study of Melody Feature Sets.
101-106

- Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Melody Expectation Method Based on GTTM and TPS.
107-112

Session 1c:
Timbre
- Wei-Ho Tsai, Shih-Jie Liao, Catherine Lai:
Automatic Identification of Simultaneous Singers in Duet Recordings.
115-120

- Ling Feng, Andreas Brinch Nielsen, Lars Kai Hansen:
Vocal Segment Classification in Popular Music.
121-126

- David Little, Bryan Pardo:
Learning Musical Instruments from Mixtures of Audio with Weak Labels.
127-132

- Katsutoshi Itoyama, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
Instrument Equalizer for Query-by-Example Retrieval: Improving Sound Source Separation Based on Integrated Harmonic and Inharmonic Models.
133-138

- Nobutaka Ono, Kenichi Miyamoto, Hirokazu Kameoka, Shigeki Sagayama:
A Real-time Equalizer of Harmonic and Percussive Components in Music Signals.
139-144

Session 1d:
MIR Platforms
- Ian Knopke:
The PerlHumdrum and PerlLilypond Toolkits for Symbolic Music Information Retrieval.
147-152

- Rebecca Fiebrink, Ge Wang, Perry R. Cook:
Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language.
153-158

Session 2a:
Music Recommendation and Organization
- Terence Magno, Carl Sable:
A Comparison of Signal Based Music Recommendation to Genre Labels, Collaborative Filtering, Musicological Analysis, Human Recommendation and Random Baseline.
161-166

- Yvonne Moh, Joachim M. Buhmann:
Kernel Expansion for Online Preference Tracking.
167-172

- Arthur Flexer, Dominik Schnitzer, Martin Gasser, Gerhard Widmer:
Playlist Generation using Start and End Songs.
173-178

- Markus Dopler, Markus Schedl, Tim Pohle, Peter Knees:
Accessing Music Collections Via Representative Cluster Prototypes in a Hierarchical Organization Scheme.
179-184

- Sally Jo Cunningham, Edmond Zhang:
Development of a Music Organizer for Children.
185-190

Session 2b:
Music Recognition and Visualization
- Masahiro Niitsuma, Hiroshi Takaesu, Hazuki Demachi, Masaki Oono, Hiroaki Saito:
Development of an Automatic Music Selection System Based on Runner's Step Frequency.
193-198

- Kazumasa Murata, Kazuhiro Nakadai, Kazuyoshi Yoshii, Ryu Takeda, Toyotaka Torii, Hiroshi G. Okuno, Yuji Hasegawa, Hiroshi Tsujino:
A Robot Singer with Music Recognition Based on Real-Time Beat Tracking.
199-204

- Martin Gasser, Arthur Flexer, Gerhard Widmer:
Streamcatcher: Integrated Visualization of Music Clips and Online Audio Streams.
205-210

- Kazuyoshi Yoshii, Masataka Goto:
Music Thumbnailer: Visualizing Musical Pieces in Thumbnail Images Based on Acoustic Features.
211-216

Session 2c:
Knowledge Representation, Tags, Metadata
- Panagiotis Symeonidis, Maria M. Ruxanda, Alexandros Nanopoulos, Yannis Manolopoulos:
Ternary Semantic Analysis of Social Tags for Personalized Music Recommendation.
219-224

- Douglas Turnbull, Luke Barrington, Gert R. G. Lanckriet:
Five Approaches to Collecting Tags for Music.
225-230

- Youngmoo E. Kim, Erik M. Schmidt, Lloyd Emelle:
MoodSwings: A Collaborative Game for Music Mood Label Collection.
231-236

- Zhiyao Duan, Lie Lu, Changshui Zhang:
Collective Annotation of Music from Multiple Semantic Categories.
237-242

- Geoffroy Peeters, David Fenech, Xavier Rodet:
MCIpa: A Music Content Information Player and Annotator for Discovering Music.
243-248

- Nik Corthaut, Sten Govaerts, Katrien Verbert, Erik Duval:
Connecting the Dots: Music Metadata Generation, Schemas and Applications.
249-254

- Mohamed Sordo, Òscar Celma, Martin Blech, Enric Guaus:
The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree?
255-260

Poster Session 2d:
Social and Music Networks
Session 3a:
Content-based Retrieval, Categorization and Similarity 1
- Matthew Riley, Eric Heinen, Joydeep Ghosh:
A Text Retrieval Approach to Content-Based Audio Hashing.
295-300

- Riccardo Miotto, Nicola Orio:
A Music Identification System Based on Chroma Indexing and Statistical Modeling.
301-306

- Mark Godfrey, Parag Chordia:
Hubs and Homogeneity: Improving Content-Based Music Modeling.
307-312

- Malcolm Slaney, Kilian Q. Weinberger, William White:
Learning a Metric for Music Similarity.
313-318

- Yuxiang Liu, Ye Wang, Arun Shenoy, Wei-Ho Tsai, Lianhong Cai:
Clustering Music Recordings by Their Keys.
319-324

- Konstantinos Trohidis, Grigorios Tsoumakas, George Kalliris, Ioannis P. Vlahavas:
Multi-Label Classification of Music into Emotions.
325-330

- Shyamala Doraisamy, Shahram Golzari, Noris Mohd. Norowi, Md Nasir Sulaiman, Nur Izura Udzir:
A Study on Feature Selection and Classification Techniques for Automatic Genre Classification of Traditional Malay Music.
331-336

- Rudolf Mayer, Robert Neumayer, Andreas Rauber:
Rhyme and Style Features for Musical Genre Classification by Song Lyrics.
337-342

- Bill Z. Manaris, Dwight Krehbiel, Patrick Roos, Thomas Zalonis:
Armonique: Experiments in Content-Based Similarity Retrieval using Power-Law Melodic and Timbre Metrics.
343-348

- Matthew D. Hoffman, David M. Blei, Perry R. Cook:
Content-Based Musical Similarity Computation using the Hierarchical Dirichlet Process.
349-354

- François Pachet, Pierre Roy:
Hit Song Science Is Not Yet a Science.
355-360

Session 3b:
Computational Musicology
Session 3c:
OMR, Alignment and Annotation
- Meinard Müller, Sebastian Ewert:
Joint Structure Analysis with Applications to Music Annotation and Synchronization.
389-394

- Kyogu Lee, Markus Cremer:
Segmentation-Based Lyrics-Audio Alignment using Dynamic Programming.
395-400

- Bryan Duggan, Brendan O'Shea, Mikel Gainza, Padraig Cunningham:
Machine Annotation of Sets of Traditional Irish Dance Tunes.
401-406

- John Ashley Burgoyne, Johanna Devaney, Laurent Pugin, Ichiro Fujinaga:
Enhanced Bleedthrough Correction for Early Music Documents with Recto-Verso Registration.
407-412

- Christian Fremerey, Meinard Müller, Frank Kurth, Michael Clausen:
Automatic Mapping of Scanned Sheet Music to Audio Recordings.
413-418

- Laurent Pugin, Jason Hockman, John Ashley Burgoyne, Ichiro Fujinaga:
Gamera Versus Aruspix: Two Optical Music Recognition Approaches.
419-424

Session 4a:
Data Exchange, Archiving and Evaluation
- Juan José Burred, Carmine-Emanuele Cella, Geoffroy Peeters, Axel Röbel, Diemo Schwarz:
Using the SDIF Sound Description Interchange Format for Audio Features.
427-432

- Joachim Ganseman, Paul Scheunders, Wim D'haes:
Using XQuery on MusicXML Databases for Musicological Analysis.
433-438

- Jenn Riley:
Application of the Functional Requirements for Bibliographic Records (FRBR) to Music.
439-444

- Travis M. Doll, Raymond Migneco, Youngmoo E. Kim:
Online Activities for Music Information and Acoustics Education and Psychoacoustic Data Collection.
445-450

- Carlos Nascimento Silla Jr., Alessandro L. Koerich, Celso A. A. Kaestner:
The Latin Music Database.
451-456

- Megan A. Winget:
The Liner Notes Digitization Project: Providing Users with Cultural, Historical, and Critical Music Information.
457-461

- Xiao Hu, J. Stephen Downie, Cyril Laurier, Mert Bay, Andreas F. Ehmann:
The 2007 MIREX Audio Mood Classification Task: Lessons Learned.
462-467

- J. Stephen Downie, Mert Bay, Andreas F. Ehmann, M. Cameron Jones:
Audio Cover Song Identification: MIREX 2006-2007 Results and Analyses.
468-474

Session 4b:
Musical Expression and Meaning
- Charlie Inskip, Andy MacFarlane, Pauline Rafferty:
Music, Movies and Meaning: Communication in Film-Makers' Search for Pre-Existing Music, and the Implications for Music Information Retrieval.
477-482

- Rafael Ramirez, Alfonso Perez, Stefan Kersten:
Performer Identification in Celtic Violin Recordings.
483-488

- Mitsuyo Hashida, Toshie Matsui, Haruhiro Katayose:
A New Music Database Describing Deviation Information of Performance Expressions.
489-494

- Miguel Molina-Solana, Josep Lluís Arcos, Emilia Gómez:
Using Expressive Trends for Identifying Violin P erformers.
495-500

- Craig Sapp:
Hybrid Numeric/Rank Similarity Metrics for Musical Performance Analysis.
501-506

- Konstantinos A. Meintanis, Frank M. Shipman III:
Creating and Evaluating Multi-Phrase Music Summaries.
507-512

Session 4c:
Automatic Music Analysis and Transcription
- Chee-Chuan Toh, Bingjun Zhang, Ye Wang:
Multiple-Feature Fusion Based Onset Detection for Solo Singing Voice.
515-520

- Olivier Lartillot, Tuomas Eerola, Petri Toiviainen, José Fornari:
Multi-Feature Modeling of Pulse Clarity: Design, Validation and Optimization.
521-526

- Emmanuel Ravelli, Gaël Richard, Laurent Daudet:
Fast MIR in a Sparse Transform Domain.
527-532

- Arturo Camacho:
Detection of Pitched/Unpitched Sound using Pitch Strength Clustering.
533-537

- John Woodruff, Yipeng Li, DeLiang Wang:
Resolving Overlapping Harmonics for Monaural Musical Sound Separation using Fundamental Frequency and Common Amplitude Modulation.
538-543

- Bernhard Niedermayer:
Non-Negative Matrix Division for the Automatic Transcription of Polyphonic Music.
544-549

- Adrien Daniel, Valentin Emiya, Bertrand David:
Perceptually-Based Evaluation of the Errors Usually Made When Automatically Transcribing Music.
550-556

Session 5a:
Content-Based Retrieval, Categorization and Similarity 2
- Benjamin Fields, Christophe Rhodes, Michael Casey, Kurt Jacobson:
Social Playlists and Bottleneck Measurements: Exploiting Musician Social Graphs Using Content-Based Dissimilarity and Pairwise Maximum Flow Values.
559-564

- François Deliège, Bee Yong Chua, Torben Bach Pedersen:
High-Level Audio Features: Distributed Extraction and Similarity Search.
565-570

- Parag Chordia, Mark Godfrey, Alex Rae:
Extending Content-Based Recommendation: The Case of Indian Classical Music.
571-576

- Michael I. Mandel, Daniel P. W. Ellis:
Multiple-Instance Learning for Music Information Retrieval.
577-582

- Ioannis Panagakis, Emmanouil Benetos, Constantine Kotropoulos:
Music Genre Classification: A Multilinear Approach.
583-588

- Patrick Rabbat, François Pachet:
Direct and Inverse Inference in Music Databases: How to Make at Song Funk?
589-594

Session 5b:
Feature Representation
- Cory McKay, Ichiro Fujinaga:
Combining Features Extracted from Audio, Symbolic and Cultural Sources.
597-602

- Pierre-Antoine Manzagol, Thierry Bertin-Mahieux, Douglas Eck:
On the Use of Sparce Time Relative Auditory Codes for Music.
603-608

- Tomonori Izumitani, Kunio Kashino:
A Robust Musical Audio Search Method Based on Diagonal Dynamic Programming Matching of Self-Similarity Matrices.
609-613

- Luke Barrington, Mehrdad Yazdani, Douglas Turnbull, Gert R. G. Lanckriet:
Combining Feature Kernels for Semantic Music Retrieval.
614-619

- Yusuke Tsuchihashi, Tetsuro Kitahara, Haruhiro Katayose:
Using Bass-line Features for Content-Based MIR.
620-625

- Nicolas Scaringella:
Timbre and Rhythmic TRAP-TANDEM Features for Music Information Retrieval.
626-632

Session 5c:
Rhythm and Meter
Session 5d:
MIR Methods
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