JIC 1996:
Brugge, Belgium
Marc Leman (Ed.):
Music, Gestalt, and Computing - Studies in Cognitive and Systematic Musicology.
Lecture Notes in Computer Science 1317 Springer 1997, ISBN 3-540-63526-2 
Gestalt Theory Revisited
- Marc Leman, Albrecht Schneider:
Origin and Nature of Cognitive and Systematic Musicology: An Introduction.
13-29
- Jukka Louhivuori:
Systematic, Cognitive and Historical Approaches in Musicology.
30-41
- Michael Weber II:
Empiricism, Gestalt Qualities, and Determination of Style: Some Remarks Concerning the Relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach.
42-56
- Mark Reybrouck:
Gestalt Concepts and Music: Limitations and Possibilities.
57-69
- Randolph Eichert, Lüder Schmidt, Uwe Seifert:
Logic, Gestalt Theory, and Neural Computation in Research on Auditory Perceptual Organization.
70-88
- Rolf Inge Godøy:
Knowledge in Music Theory by Shapes of Musical Objects and Sound-Producing Actions.
89-102
- Elena Ungeheuer:
Statistical Gestalts - Perceptible Features in Serial Music.
103-113
From Pitch to Harmony
- Albrecht Schneider:
"Verschmelzung", Tonal Fusion, and Consonance: Carl Stumpf Revisited.
117-143
- Marc Leman, Francesco Carreras:
Schema and Gestalt: Testing the Hypothesis of Psychoneural Isomorphism by Computer Simulation.
144-168
- Nicola Cufaro Petroni, Matteo Tricarico:
Self-organizing Neural Sets and the Perceptual Origin of the Circle of Fifths.
169-180
- Richard Parncutt:
A Model of the Perceptual Root(s) of a Chord Accounting for Voicing and Prevailing Tonality.
181-199
- Daniel Werts:
"Good", "Fair", and "Bad" Chord Progressions: A Regression-Analysis of Some Psychological Chord Progression Data Obtained in an Experiment by J. Bharucha and C. Krumhansl.
200-213
- Jenö Keuler:
Problems of Shape and Background in Sounds with Inharmonic Spectra.
214-224
- Roland Eberlein:
A Method of Analysing Harmony, Based on Interval Patterns or "Gestalten".
225-236
- Eric J. Isaacson:
Neural Network Models for the Study of Post-Tonal Music.
237-250
From Rhythm to Expectation
- Marek Franek, Jirí Mates:
Tempo Relations: Is There a Psychological Basis for Proportional Tempo Theory?
253-262
- Dirk Moelants:
A Framework for the Subsymbolic Description of Meter.
263-276
- Emilios Cambouropoulos:
Musical Rhythm: A Formal Model for Determining Local Boundaries, Accents and Metre in a Melodic Surface.
277-293
- Carol Krumhansl:
Effects of Perceptual Organization and Musical Form on Melodic Expectancies.
294-320
- Steve Larson:
Continuations as Completions: Studying Melodic Expectation in the Creative Microdomain Seek Well.
321-334
From Timbre to Texture
From Musical Expression to Interactive Computer Systems
Last update Tue May 21 17:38:19 2013
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