NIME 2003: Montreal, Canada

Paper Session I

• Cormac Cannon, Stephen Hughes, M. Sile O'Modhrain:
  EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based Music. 3-8
  
• Diana Young, Georg Essl:
  HyperPuja: A Tibetan Singing Bowl Controller. 9-14
  

Report Session I

• Gary P. Scavone:
  THE PIPE: Explorations with Breath Control. 15-18
  
• Marije A. J. Baalman:
  The STRIMIDILATOR, a String Controlled MIDI-Instrument. 19-23
  
• Scott Wilson, Michael Gurevich, Bill Verplank, Pascal Stang:
  Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR Platform. 24-29
  
• Tue Haste Andersen:
  Mixxx: Towards Novel DJ Interfaces. 30-35
  

Report Session II

• Nicola Orio, Serge Lemouton, Diemo Schwarz, Norbert Schnell:
  Score Following: State of the Art and New Developments. 36-41
  
• Caroline Traube, Philippe Depalle, Marcelo M. Wanderley:
  Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. 42-48
  
• Yoichi Nagashima:
  Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts. 48-53
  

Paper Session II

• Ali Momeni, David Wessel:
  Characterizing and Controlling Musical Material Intuitively with Geometric Models. 54-62
  
• Matthew Burtner:
  Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances. 63-69
  
• Sergi Jordà:
  Sonigraphical Instruments: From FMOL to the reacTable*. 70-76
  

Report Session III

• Motohide Hatanaka:
  Ergonomic Design of a Portable Musical Instrument. 77-82
  
• Hiroko Shiraiwa, Rodrigo Segnini, Vivian Woo:
  Sound Kitchen: Designing a Chemically Controlled Musical Performance. 83-86
  
• Joel Ryan, Christopher Salter:
  TGarden: Wearable Instruments and Augmented Physicality. 87-90
  
• David Ventura, Kenji Mase:
  Duet Musical Companion: Improvisational Interfaces for Children. 91-94
  

Report Session IV

• David M. Howard, Stuart Rimell, Andy Hunt:
  Force Feedback Gesture Controlled Physical Modelling Synthesis. 95-98
  
• Reynald Hoskinson, Kees van den Doel, Sidney Fels:
  Real-time Adaptive Control of Modal Synthesis. 99-103
  
• Diana Young, Stefania Serafin:
  Playability Evaluation of a Virtual Bowed String Instrument. 104-108
  

Paper Session III

• Lalya Gaye, Ramia Mazé, Lars Erik Holmquist:
  Sonic City: The Urban Environment as a Musical Interface. 109-115
  
• Michael J. Lyons, Michael Haehnel, Nobuji Tetsutani:
  Designing, Playing, and Performing with a Vision-based Mouth Interface. 116-120
  
• Donna Hewitt, Ian Stevenson:
  E-mic: Extended Mic-stand Interface Controller. 122-128
  

Report Session V

• Tina Blaine, Sidney Fels:
  Contexts of Collaborative Musical Experiences. 129-134
  
• Andy Hunt, Ross Kirk:
  MidiGrid: Past, Present and Future. 135-139
  
• Loïc Kessous, Daniel Arfib:
  Bimanuality in Alternate Musical Instruments. 140-145
  
• Paul Modler, Tony Myatt, Michael Saup:
  An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime. 146-150
  

Report Session VI

• Teresa Marrin Nakra:
  Immersion Music: A Progress Report. 151-152
  
• Matthew Wright, Adrian Freed, Ali Momeni:
  OpenSound Control: State of the Art 2003. 153-159
  

Additional Documents

• Christopher Dobrian, Frédéric Bevilacqua:
  Gestural Control of Music Using the Vicon 8 Motion Capture System. 161-163
  
• Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa:
  Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate Expressive Performances. 164-169
  
• Henry Newton Dunn, Hiroki Nakano, James Gibson:
  Block Jam: A Tangible Interface for Interactive Music. 170-177
  

Poster Session

• Sukandar Kartadinata:
  The Gluiph: a Nucleus for Integrated Instruments. 180-183
  
• Jean-Michel Couturier, Daniel Arfib:
  Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music. 184-187
  
• Eric Singer, Kevin Larke, David Bianciardi:
  LEMUR GuitarBot: MIDI Robotic String Instrument. 188-191
  
• Chad Peiper, David Warden, Guy Garnett:
  An Interface for Real-time Classification of Articulations Produced by Violin Bowing. 192-197
  
• Zack Settel, Cort Lippe:
  Convolution Brother's Instrument Design. 197-200
  
• Insook Choi:
  A Component Model of Gestural Primitive Throughput. 201-204
  

Demo I

• Cléo Palacio-Quintin:
  The Hyper-Flute. 206-207
  
• Jesse T. Allison, Timothy A. Place:
  SensorBox: Practical Audio Interface for Gestural Performance. 208-210
  
• Kevin C. Baird:
  Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System. 211-212
  
• Bill Kleinsasser:
  Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance. 213-215
  
• Mathew Laibowitz:
  BASIS: A Genesis in Musical Interfaces. 216-217
  

Demo II

• David Merrill:
  Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects. 218-219
  
• Eric Singer:
  Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller. 220-221
  
• David Muth, Ed Burton:
  Sodaconductor. 222-224
  
• Emmanuel Fléty, Marc Sirguy:
  EoBody: a Follow-up to AtoMIC Pro's Technology. 225-226
  

Invited Papers

• Joseph A. Paradiso:
  Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective. 228-234
  
• Claude Cadoz, Annie Luciani, Jean-Loup Florens, Nicolas Castagné:
  ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. 235-246