NIME 2004: Hamamatsu, Japan
Yoichi Nagashima, Michael J. Lyons (Eds.): New Interfaces for Musical Expression, NIME-04, Proceedings, Hamamatsu, June 3-5, 2004. Shizuoka University of Art and Culture 2004 ISBN 4-9902099-0-7
Paper Session 1
- Sidney Fels, Linda Kaastra, Sachiyo Takahashi, Graeme McCaig: Evolving Tooka: from Experiment to Instrument. 1-6
- Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Scott Wilson, Perry R. Cook: The Electronic Sitar Controller. 7-12
- Masami Takahata, Kensuke Shiraki, Yutaka Sakane, Yoichi Takebayashi: Sound Feedback for Powerful Karate Training. 13-18
Report Session 1
- Martin Kaltenbrunner, Gunter Geiger, Sergi Jordà: Dynamic Patching for Live Musical Performance. 19-22
Poster Session 1
- Christophe Havel, Myriam Desainte-Catherine: Modeling an air percussion for composition and performance. 31-34
- Arshia Cont, Thierry Coduys, Cyrille Henry: Real-time Gesture Mapping in Pd Environment using Neural Networks. 39-42
- Assaf K. Talmudi: The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic Algorithm. 43-46
- James Mandelis, Phil Husbands: Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings. 47-50
Report Session 2
- Gideon D'Arcangelo: Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music. 55-58
- Sergi Jordà: Digital Instruments and Players: Part I - Efficiency and Apprenticeship. 59-63
- Nikita Pashenkov: A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable. 64-67
Paper Session 2
- Eric Lee, Teresa Marrin Nakra, Jan Borchers: You're The Conductor: A Realistic Interactive Conducting System for Children. 68-73
- M. Sile O'Modhrain, Georg Essl: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. 74-79
- Garth Paine: Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology. 80-86
Report Session 3
- Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle: On the Choice of Mappings Based On Geometric Properties. 87-91
- Brian Sheehan: The Squiggle: A Digital Musical Instrument. 92-95
Poster Session 2
- David Gerhard, Daryl H. Hepting, Matthew McKague: Exploration of the correspondence between visual and acoustic parameter spaces. 96-99
- Chandrasekhar Ramakrishnan, Jason Freeman, Kristjan Varnik, David Birchfield, Phil Burk, Max Neuhaus: The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument. 100-103
- Homei Miyashita, Kazushi Nishimoto: Thermoscore: A New-type Musical Score with Temperature Sensation. 104-107
- Stefania Serafin, Diana Young: Toward a generalized friction controller: from the bowed string to unusual musical instruments. 108-111
- Philippe Stanislas Zaborowski: ThumbTec: A New Handheld Input Device. 112-115
- Ryan H. Torchia, Cort Lippe: Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing. 116-119
RENCON Session
- Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose: Rencon 2004: Turing Test for Musical Expression. 120-123
- Haruhiro Katayose, Keita Okudaira: Using an Expressive Performance Template in a Music Conducting Interface. 124-129
- Hideki Kawahara, Hideki Banno, Masanori Morise: Acappella synthesis demonstrations using RWC music database. 130-131
Paper Session 3
- Roger B. Dannenberg: Aura II: Making Real-Time Systems Safe for Music. 132-137
- Ge Wang, Perry R. Cook: "On-the-fly Programming: Using Code as an Expressive Musical Instrument". 138-143
- Michael Lew: Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance. 144-149
Report Session 4
- Cornelius Poepel: Synthesized Strings for String Players. 150-153
- Atau Tanaka: Mobile Music Making. 154-156
Poster Session 3
- Emmanuel Fléty: Versatile sensor acquisition system utilizing Network Technology. 157-160
- Lalya Gaye, Lars Erik Holmquist: In Duet with Everyday Urban Settings: A User Study of Sonic City. 161-164
- Enrique Franco, Niall J. L. Griffith, Mikael Fernström: Issues for Designing a flexible expressive audiovisual system for real-time performance & composition. 165-168
- Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons: A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. 169-172
- Yoichi Nagashima: Measurement of Latency in Interactive Multimedia Art. 173-176
- Katsuhisa Ishida, Tetsuro Kitahara, Masayuki Takeda: ism: Improvisation Supporting System based on Melody Correction. 177-180
Report Session 5
- Mark Argo: The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation. 189-192
- Matthew Burtner: A Theory of Modulated Objects for New Shamanic Controller Design. 193-196
Demo Session
- Jean-Marc Pelletier: A Shape-Based Approach to Computer Vision Musical Performance Systems. 197-198
- Stephen Hughes, Cormac Cannon, M. Sile O'Modhrain: Epipe : A Novel Electronic Woodwind Controller. 199-200
- Hans-Christoph Steiner: StickMusic: Using haptic feedback with a phase vocoder. 203-204
- Thierry Coduys, Cyrille Henry, Arshia Cont: TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces. 205-206
- Suguru Goto, Takahiko Suzuki: The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit". 207-208
- Takuro Mizuta Lippit: Realtime Sample System for the Turntablist version 2: 16padjoystickcontroller. 211-212
- Michael Eyal Sharon: The Stranglophone: Enhancing Expressiveness in Live Electronic Music. 213-214
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last updated on 2013-06-19T203413 by the dblp team