NPAR 2000:
Annecy, France
Proceedings of the First International Symposium on Non-Photorealistic Animation and Rendering, 2000, Annecy, France, June 5-7, 2000. ACM, 2000
- Aaron Hertzmann, Ken Perlin:
Painterly rendering for video and interaction.
7-12

- Adam Lake, Carl Marshall, Mark Harris, Marc Blackstein:
Stylized rendering techniques for scalable real-time 3D animation.
13-20

- Scott S. Snibbe, Golan Levin:
Interactive dynamic abstraction.
21-29

- J. D. Northrup, Lee Markosian:
Artistic silhouettes: a hybrid approach.
31-37

- John W. Buchanan, Mario Costa Sousa:
The edge buffer: a data structure for easy silhouette rendering.
39-42

- Ahna Girshick, Victoria Interrante, Steven Haker, Todd Lemoine:
Line direction matters: an argument for the use of principal directions in 3D line drawings.
43-52

- Michio Shiraishi, Yasushi Yamaguchi:
An algorithm for automatic painterly rendering based on local source image approximation.
53-58

- Lee Markosian, Barbara J. Meier, Michael A. Kowalski, Loring Holden, J. D. Northrup, John F. Hughes:
Art-based rendering with continuous levels of detail.
59-66

- Matthew Kaplan, Bruce Gooch, Elaine Cohen:
Interactive artistic rendering.
67-74

- Domingo Martín, S. García, Juan Carlos Torres:
Observer dependent deformations in illustration.
75-82

- Jonathan M. Cohen, John F. Hughes, Robert C. Zeleznik:
Harold: aworld made of drawings.
83-90

- Zsófia Ruttkay, Han Noot:
Animated CharToon faces.
91-100

- Ian Buck, Adam Finkelstein, Charles E. Jacobs, Allison Klein, David Salesin, Joshua E. Seims, Richard Szeliski, Kentaro Toyama:
Performance-driven hand-drawn animation.
101-108

- Thomas Strothotte, Stefan Schlechtweg:
Teaching non-photorealistic animation and rendering (panel session).
109

- G. H. Yeoh:
The "H.E.A.R.T" of stone Human Experience Art Reflection Technology (animation abstract).
110

- Daniel Borenstein:
Variations (animation abstract).
111

- Raquel Coelho:
The Tapir (animation abstract).
112

- Daniel Teece:
Animating with expressive 3D brush strokes (animation abstract).
113

- Chris Rowland:
Fireflay (animation abstract).
114

- Emre Yilmaz, Lev Yilmaz:
Bad Night and World Run (animation abstract).
115

- Christophe Archambault:
Using 3D information to drive 2D painting process (animation abstract).
116

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