NPAR 2000: Annecy, France

• Aaron Hertzmann, Ken Perlin:
  Painterly rendering for video and interaction. 7-12
  
• Adam Lake, Carl Marshall, Mark Harris, Marc Blackstein:
  Stylized rendering techniques for scalable real-time 3D animation. 13-20
  
• Scott S. Snibbe, Golan Levin:
  Interactive dynamic abstraction. 21-29
  
• J. D. Northrup, Lee Markosian:
  Artistic silhouettes: a hybrid approach. 31-37
  
• John W. Buchanan, Mario Costa Sousa:
  The edge buffer: a data structure for easy silhouette rendering. 39-42
  
• Ahna Girshick, Victoria Interrante, Steven Haker, Todd Lemoine:
  Line direction matters: an argument for the use of principal directions in 3D line drawings. 43-52
  
• Michio Shiraishi, Yasushi Yamaguchi:
  An algorithm for automatic painterly rendering based on local source image approximation. 53-58
  
• Lee Markosian, Barbara J. Meier, Michael A. Kowalski, Loring Holden, J. D. Northrup, John F. Hughes:
  Art-based rendering with continuous levels of detail. 59-66
  
• Matthew Kaplan, Bruce Gooch, Elaine Cohen:
  Interactive artistic rendering. 67-74
  
• Domingo Martín, S. García, Juan Carlos Torres:
  Observer dependent deformations in illustration. 75-82
  
• Jonathan M. Cohen, John F. Hughes, Robert C. Zeleznik:
  Harold: aworld made of drawings. 83-90
  
• Zsófia Ruttkay, Han Noot:
  Animated CharToon faces. 91-100
  
• Ian Buck, Adam Finkelstein, Charles E. Jacobs, Allison Klein, David Salesin, Joshua E. Seims, Richard Szeliski, Kentaro Toyama:
  Performance-driven hand-drawn animation. 101-108
  
• Thomas Strothotte, Stefan Schlechtweg:
  Teaching non-photorealistic animation and rendering (panel session). 109
  
• G. H. Yeoh:
  The "H.E.A.R.T" of stone Human Experience Art Reflection Technology (animation abstract). 110
  
• Daniel Borenstein:
  Variations (animation abstract). 111
  
• Raquel Coelho:
  The Tapir (animation abstract). 112
  
• Daniel Teece:
  Animating with expressive 3D brush strokes (animation abstract). 113
  
• Chris Rowland:
  Fireflay (animation abstract). 114
  
• Emre Yilmaz, Lev Yilmaz:
  Bad Night and World Run (animation abstract). 115
  
• Christophe Archambault:
  Using 3D information to drive 2D painting process (animation abstract). 116