NPAR 2006: Annecy, France

Douglas DeCarlo, Lee Markosian (Eds.): Proceedings of the 4th International Symposium on Non-Photorealistic Animation and Rendering 2006, Annecy, France, June 5-7, 2006. ACM 2006, ISBN 1-59593-357-3

Invited speaker

Scott Draves:
The electric sheep and their dreams in high fidelity. 7-9

Real-time 3D NPR

Thomas Luft, Oliver Deussen:
Real-time watercolor illustrations of plants using a blurred depth test. 11-20
Morgan McGuire, Andi Fein:
Real-time rendering of cartoon smoke and clouds. 21-26
Liviu Coconu, Oliver Deussen, Hans-Christian Hege:
Real-time pen-and-ink illustration of landscapes. 27-35
Hyunjun Lee, Sungtae Kwon, Seungyong Lee:
Real-time pencil rendering. 37-45

Images and video

Fang Wen, Qing Luan, Lin Liang, Ying-Qing Xu, Heung-Yeung Shum:
Color sketch generation. 47-54
Peter O'Donovan, David Mould:
Felt-based rendering. 55-62
Noah Snavely, C. Lawrence Zitnick, Sing Bing Kang, Michael F. Cohen:
Stylizing 2.5-D video. 63-69

Mosaics and mazes

Ketan Dalal, Allison W. Klein, Yunjun Liu, Kaleigh Smith:
A spectral approach to NPR packing. 71-78
Hans Køhling Pedersen, Karan Singh:
Organic labyrinths and mazes. 79-86

Interaction and evaluation

Maria Shugrina, Margrit Betke, John P. Collomosse:
Empathic painting: interactive stylization through observed emotional state. 87-96
Sangwon Lee, Sven C. Olsen, Bruce Gooch:
Interactive 3D fluid jet painting. 97-104
Fabricio Anastacio, Mario Costa Sousa, Faramarz F. Samavati, Joaquim A. Jorge:
Modeling plant structures using concept sketches. 105-113
Tobias Isenberg, Petra Neumann, M. Sheelagh T. Carpendale, Mario Costa Sousa, Joaquim A. Jorge:
Non-Photorealistic Rendering in Context: An Observational Study. 115-126

Abstraction

Pascal Barla, Joëlle Thollot, Lee Markosian:
X-toon: an extended toon shader. 127-132
Ken-ichi Anjyo, Shuhei Wemler, William V. Baxter III:
Tweakable light and shade for cartoon animation. 133-139
Adrien Bousseau, Matt Kaplan, Joëlle Thollot, François X. Sillion:
Interactive watercolor rendering with temporal coherence and abstraction. 141-149

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