| 2011 | ||
|---|---|---|
| 40 | Luís Macedo, Miguel Tavares, Pedro Gaspar, Amílcar Cardoso: Uncertainty and Novelty-Based Selective Attention in the Collaborative Exploration of Unknown Environments. EPIA 2011: 521-535 | |
| 39 | Pedro Catré, Luís Cardoso, Luís Macedo, Amílcar Cardoso: Building Spatiotemporal Emotional Maps for Social Systems. EPIA 2011: 566-580 | |
| 2010 | ||
| 38 | Amílcar Cardoso: Computational Creativity - Progress and Prospects. ICAART (1) 2010: 25-26 | |
| 37 | António Pedro Oliveira, Amílcar Cardoso: A musical system for emotional expression. Knowl.-Based Syst. 23(8): 901-913 (2010) | |
| 2009 | ||
| 36 | Amílcar Cardoso, Tony Veale, Geraint A. Wiggins: Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity. AI Magazine 30(3): 15-22 (2009) | |
| 2007 | ||
| 35 | António Pedro Oliveira, Amílcar Cardoso: Towards Affective-Psychophysiological Foundations for Music Production. ACII 2007: 511-522 | |
| 34 | Penousal Machado, Juan Romero, Antonino Santos, Amílcar Cardoso, Alejandro Pazos: On the development of evolutionary artificial artists. Computers & Graphics 31(6): 818-826 (2007) | |
| 2006 | ||
| 33 | Rui Pedro Paiva, Teresa Mendes, Amílcar Cardoso: Melody Detection in Polyphonic Musical Signals: Exploiting Perceptual Rules, Note Salience, and Melodic Smoothness. Computer Music Journal 30(4): 80-98 (2006) | |
| 32 | Carlos Bento, Amílcar Cardoso: Creative Systems. Knowl.-Based Syst. 19(7): 447-448 (2006) | |
| 31 | Francisco C. Pereira, Amílcar Cardoso: Experiments with free concept generation in Divago. Knowl.-Based Syst. 19(7): 459-470 (2006) | |
| 2005 | ||
| 30 | Carlos Bento, Amílcar Cardoso, Gaël Dias: Progress in Artificial Intelligence, 12th Portuguese Conference on Artificial Intelligence, EPIA 2005, Covilhã, Portugal, December 5-8, 2005, Proceedings Springer 2005 | |
| 29 | Carlos Bento, Amílcar Cardoso, Gaël Dias: Introduction. EPIA 2005: 3-3 | |
| 28 | Penousal Machado, Juan Romero, Amílcar Cardoso, Antonino Santos: Partially Interactive Evolutionary Artists. New Generation Comput. 23(2): 143-155 (2005) | |
| 2004 | ||
| 27 | Luís Macedo, Amílcar Cardoso: Exploration of Unknown Environments with Motivational Agents. AAMAS 2004: 328-335 | |
| 26 | Rui Pedro Paiva, Teresa Mendes, Amílcar Cardoso: An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings. CMMR 2004: 21-40 | |
| 25 | Luís Macedo, Amílcar Cardoso: Case-Based, Decision-Theoretic, HTN Planning. ECCBR 2004: 257-271 | |
| 24 | Luís Macedo, Amílcar Cardoso: Using CBR in the Exploration of Unknown Environments with an Autonomous Agent. ECCBR 2004: 272-286 | |
| 23 | Jorge Tavares, Penousal Machado, Amílcar Cardoso, Francisco Baptista Pereira, Ernesto Costa: On the Evolution of Evolutionary Algorithms. EuroGP 2004: 389-398 | |
| 22 | Penousal Machado, Juan Romero, María Luisa Santos, Amílcar Cardoso, Bill Z. Manaris: Adaptive Critics for Evolutionary Artists. EvoWorkshops 2004: 437-446 | |
| 21 | Carlos Bento, Amílcar Cardoso: Studying Creativity in AI. KI 18(1): 45- (2004) | |
| 2003 | ||
| 20 | Carlos Grilo, Amílcar Cardoso: Musical Pattern Extraction Using Genetic Algorithms. CMMR 2003: 114-123 | |
| 19 | Amílcar Cardoso, Penousal Machado: Computational Creativity. EPIA 2003: 2 | |
| 18 | Juan Romero, Penousal Machado, Antonino Santos, Amílcar Cardoso: On the Development of Critics in Evolutionary Computation Artists. EvoWorkshops 2003: 559-569 | |
| 17 | Paulo Ribeiro, Francisco C. Pereira, Bruno Marques, Bruno Leitão, Amílcar Cardoso: A Model for Creativity in Creature Generation. GAME-ON 2003: 175- | |
| 2002 | ||
| 16 | Penousal Machado, Amílcar Cardoso: All the Truth About NEvAr. Appl. Intell. 16(2): 101-118 (2002) | |
| 2000 | ||
| 15 | Francisco C. Pereira, Amílcar Cardoso: Clouds: A Module for Automatic Learning of Concept Maps. Diagrams 2000: 468-470 | |
| 14 | Roberto Santana, Alberto Ochoa-Rodríguez, Marta Soto, Francisco Baptista Pereira, Penousal Machado, Ernesto Costa, Amílcar Cardoso: Probabilistic Evolution and the Busy Beaver Problem. GECCO 2000: 380 | |
| 1999 | ||
| 13 | Miguel Ferrand, João Alexandre Leite, Amílcar Cardoso: Hypotethical Reasoning: an application to Optical Music Recognition. APPIA-GULP-PRODE 1999: 367-382 | |
| 12 | Miguel Ferrand, João Alexandre Leite, Amílcar Cardoso: Improving Optical Music Recognition by Means of Abductive Constraint Logic Programming. EPIA 1999: 342-356 | |
| 11 | Penousal Machado, Francisco Baptista Pereira, Amílcar Cardoso, Ernesto Costa: Busy Beaver - The Influence of Representation. EuroGP 1999: 29-38 | |
| 1998 | ||
| 10 | Luís Macedo, Amílcar Cardoso: Nested Graph-Structured Representations for Cases. EWCBR 1998: 1-12 | |
| 9 | Penousal Machado, Amílcar Cardoso: Computing Aethetics. SBIA 1998: 219-228 | |
| 8 | Francisco C. Pereira, Penousal Machado, Amílcar Cardoso: Darwinci: Creating Bridges to Creativity. SBIA 1998: 239-248 | |
| 7 | Miguel Ferrand, Amílcar Cardoso: Scheduling to Reduce Uncertainty in Syntactical Music Structures. SBIA 1998: 249-258 | |
| 1997 | ||
| 6 | Ernesto Costa, Amílcar Cardoso: Progress in Artificial Intelligence, 8th Portuguese Conference on Artificial Intelligence, EPIA '97, Coimbra, Portugal, October 6-9, 1997, Proceedings Springer 1997 | |
| 5 | Luís Macedo, Francisco C. Pereira, Carlos Grilo, Amílcar Cardoso: Experimental Study of a Similarity Metric for Retrieving Pieces from Structured Plan Cases: Its Role in the Originality of Plan Case Solutions. ICCBR 1997: 575-586 | |
| 4 | Francisco C. Pereira, Carlos Grilo, Luís Macedo, Amílcar Cardoso: A Structured Framework for Representing Time in a Generative Composition System. TIME 1997: 168-174 | |
| 1996 | ||
| 3 | Luís Macedo, Francisco C. Pereira, Carlos Grilo, Amílcar Cardoso: Plans as Structured Networks of Hierarchically and Temporally Related Case Pieces. EWCBR 1996: 234-248 | |
| 1992 | ||
| 2 | Amílcar Cardoso, Ernesto Costa: Consistency checking along time. Applied Artificial Intelligence 6(2): 207-247 (1992) | |
| 1991 | ||
| 1 | Amílcar Cardoso, Ernesto Costa: Time in Conflucences: Dealing with Delays for Consistency-Checking. EPIA 1991: 151-164 | |
| 1 | Carlos Bento | [21] [29] [30] [32] |
| 2 | Luís Cardoso | [39] |
| 3 | Pedro Catré | [39] |
| 4 | Ernesto Costa (Ernesto Jorge Costa) | [1] [2] [6] [11] [14] [23] |
| 5 | Gaël Dias | [29] [30] |
| 6 | Miguel Ferrand | [7] [12] [13] |
| 7 | Pedro Gaspar | [40] |
| 8 | Carlos Grilo | [3] [4] [5] [20] |
| 9 | Bruno Leitão | [17] |
| 10 | João Leite (João Alexandre Leite) | [12] [13] |
| 11 | Luís Macedo | [3] [4] [5] [10] [24] [25] [27] [39] [40] |
| 12 | Penousal Machado | [8] [9] [11] [14] [16] [18] [19] [22] [23] [28] [34] |
| 13 | Bill Z. Manaris | [22] |
| 14 | Bruno Marques | [17] |
| 15 | Teresa Mendes | [26] [33] |
| 16 | Alberto Ochoa-Rodríguez | [14] |
| 17 | António Pedro Oliveira | [35] [37] |
| 18 | Rui Pedro Paiva | [26] [33] |
| 19 | Alejandro Pazos (Alejandro Pazos Sierra) | [34] |
| 20 | Francisco Baptista Pereira | [11] [14] [23] |
| 21 | Francisco C. Pereira | [3] [4] [5] [8] [15] [17] [31] |
| 22 | Paulo Ribeiro | [17] |
| 23 | Juan Romero | [18] [22] [28] [34] |
| 24 | Roberto Santana | [14] |
| 25 | Antonino Santos | [18] [28] [34] |
| 26 | María Luisa Santos | [22] |
| 27 | Marta Soto | [14] |
| 28 | Jorge Tavares | [23] |
| 29 | Miguel Tavares | [40] |
| 30 | Tony Veale | [36] |
| 31 | Geraint A. Wiggins | [36] |
Colors in the list of coauthors
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