| 2011 | ||
|---|---|---|
| 26 | Alicia Fornés, Anjan Dutta, Albert Gordo, Josep Lladós: The ICDAR 2011 Music Scores Competition: Staff Removal and Writer Identification. ICDAR 2011: 1511-1515 | |
| 25 | Volkmar Frinken, Andreas Fischer, Horst Bunke, Alicia Fornés: Co-training for Handwritten Word Recognition. ICDAR 2011: 314-318 | |
| 24 | Jon Almazán, Alicia Fornés, Ernest Valveny: A Non-rigid Feature Extraction Method for Shape Recognition. ICDAR 2011: 987-991 | |
| 23 | Jon Almazán, Ernest Valveny, Alicia Fornés: Deforming the Blurred Shape Model for Shape Description and Recognition. IbPRIA 2011: 1-8 | |
| 22 | David Fernández, Josep Lladós, Alicia Fornés: Handwritten Word Spotting in Old Manuscript Images Using a Pseudo-structural Descriptor Organized in a Hash Structure. IbPRIA 2011: 628-635 | |
| 21 | Sergio Escalera, Alicia Fornés, Oriol Pujol, Josep Lladós, Petia Radeva: Circular Blurred Shape Model for Multiclass Symbol Recognition. IEEE Transactions on Systems, Man, and Cybernetics, Part B 41(2): 497-506 (2011) | |
| 2010 | ||
| 20 | Albert Gordo, Alicia Fornés, Ernest Valveny, Josep Lladós: A bag of notes approach to writer identification in old handwritten musical scores. Document Analysis Systems 2010: 247-254 | |
| 19 | Alicia Fornés, Josep Lladós: A Symbol-Dependent Writer Identification Approach in Old Handwritten Music Scores. ICFHR 2010: 634-639 | |
| 18 | Alicia Fornés, Sergio Escalera, Josep Lladós, Ernest Valveny: Symbol Classification Using Dynamic Aligned Shape Descriptor. ICPR 2010: 1957-1960 | |
| 17 | Anjan Dutta, Umapada Pal, Alicia Fornés, Josep Lladós: An Efficient Staff Removal Approach from Printed Musical Documents. ICPR 2010: 1965-1968 | |
| 16 | Alicia Fornés, Josep Lladós, Gemma Sánchez, Dimosthenis Karatzas: Rotation invariant hand-drawn symbol recognition based on a dynamic time warping model. IJDAR 13(3): 229-241 (2010) | |
| 15 | Alicia Fornés, Josep Lladós, Gemma Sánchez, Xavier Otazu, Horst Bunke: A combination of features for symbol-independent writer identification in old music scores. IJDAR 13(4): 243-259 (2010) | |
| 2009 | ||
| 14 | Ricard Coll, Alicia Fornés, Josep Lladós: Graphological Analysis of Handwritten Text Documents for Human Resources Recruitment. ICDAR 2009: 1081-1085 | |
| 13 | Alicia Fornés, Josep Lladós, Gemma Sánchez, Horst Bunke: On the Use of Textural Features for Writer Identification in Old Handwritten Music Scores. ICDAR 2009: 996-1000 | |
| 12 | Sergio Escalera, Alicia Fornés, Oriol Pujol, Petia Radeva: Multi-class Binary Symbol Classification with Circular Blurred Shape Models. ICIAP 2009: 1005-1014 | |
| 11 | Sergio Escalera, Alicia Fornés, Oriol Pujol, Alberto Escudero, Petia Radeva: Circular Blurred Shape Model for symbol spotting in documents. ICIP 2009: 2005-2008 | |
| 10 | Sergio Escalera, Alicia Fornés, Oriol Pujol, Petia Radeva, Gemma Sánchez, Josep Lladós: Blurred Shape Model for binary and grey-level symbol recognition. Pattern Recognition Letters 30(15): 1424-1433 (2009) | |
| 2008 | ||
| 9 | Alicia Fornés, Josep Lladós, Gemma Sánchez, Horst Bunke: Writer Identification in Old Handwritten Music Scores. Document Analysis Systems 2008: 347-353 | |
| 2007 | ||
| 8 | Sergio Escalera, Alicia Fornés, Oriol Pujol, Josep Lladós, Petia Radeva: Multi-class Binary Object Categorization Using Blurred Shape Models. CIARP 2007: 142-151 | |
| 7 | Alicia Fornés, Sergio Escalera, Josep Lladós, Gemma Sánchez, Joan Mas: Hand Drawn Symbol Recognition by Blurred Shape Model Descriptor and a Multiclass Classifier. GREC 2007: 29-39 | |
| 6 | Ernest Valveny, Philippe Dosch, Alicia Fornés, Sergio Escalera: Report on the Third Contest on Symbol Recognition. GREC 2007: 321-328 | |
| 5 | Alicia Fornés, Josep Lladós, Gemma Sánchez: Old Handwritten Musical Symbol Classification by a Dynamic Time Warping Based Method. GREC 2007: 51-60 | |
| 4 | Alicia Fornés, Sergio Escalera, Josep Lladós, Gemma Sánchez, Petia Radeva, Oriol Pujol: Handwritten Symbol Recognition by a Boosted Blurred Shape Model with Error Correction. IbPRIA (1) 2007: 13-21 | |
| 2005 | ||
| 3 | Alicia Fornés, Josep Lladós, Gemma Sánchez: Staff and graphical primitive segmentation in old handwritten music scores. CCIA 2005: 83-90 | |
| 2 | Alicia Fornés, Josep Lladós, Gemma Sánchez: Primitive Segmentation in Old Handwritten Music Scores. GREC 2005: 279-290 | |
| 2003 | ||
| 1 | Miguel Lozano, Rafael Lucia, Fernando Barber, Francisco Grimaldo, António Lucas Soares, Alicia Fornés: An Efficient Synthetic Vision System for 3D Multi-character Systems. IVA 2003: 356-357 | |
| 1 | Jon Almazán | [23] [24] |
| 2 | Fernando Barber | [1] |
| 3 | Horst Bunke | [9] [13] [15] [25] |
| 4 | Ricard Coll | [14] |
| 5 | Philippe Dosch | [6] |
| 6 | Anjan Dutta | [17] [26] |
| 7 | Sergio Escalera | [4] [6] [7] [8] [10] [11] [12] [18] [21] |
| 8 | Alberto Escudero | [11] |
| 9 | David Fernández | [22] |
| 10 | Andreas Fischer | [25] |
| 11 | Volkmar Frinken | [25] |
| 12 | Albert Gordo | [20] [26] |
| 13 | Francisco Grimaldo | [1] |
| 14 | Dimosthenis Karatzas | [16] |
| 15 | Josep Lladós | [2] [3] [4] [5] [7] [8] [9] [10] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] [26] |
| 16 | Miguel Lozano | [1] |
| 17 | Rafael Lucia | [1] |
| 18 | Xavier Otazu | [15] |
| 19 | Umapada Pal (U. Pal) | [17] |
| 20 | Oriol Pujol | [4] [8] [10] [11] [12] [21] |
| 21 | Petia Radeva (Petia Radeva Ivanova) | [4] [8] [10] [11] [12] [21] |
| 22 | Joan Mas Romeu (Joan Mas) | [7] |
| 23 | Gemma Sánchez | [2] [3] [4] [5] [7] [9] [10] [13] [15] [16] |
| 24 | António Lucas Soares | [1] |
| 25 | Ernest Valveny | [6] [18] [20] [23] [24] |
Colors in the list of coauthors
Last update Fri May 25 01:42:58 2012 CET by the DBLP Team —
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