 | 2006 |
|---|
| 7 |       | Emilia Gómez,
Perfecto Herrera:
The song remains the same: identifying versions of the same piece using tonal descriptors.
ISMIR 2006: 180-185 |
| 6 |  | Emilia Gómez:
Tonal Description of Polyphonic Audio for Music Content Processing.
INFORMS Journal on Computing 18(3): 294-304 (2006) |
| 2005 |
|---|
| 5 | | Christopher Harte,
Mark B. Sandler,
Samer A. Abdallah,
Emilia Gómez:
Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations.
ISMIR 2005: 66-71 |
| 4 | | Perfecto Herrera,
Òscar Celma,
Jordi Massaguer,
Pedro Cano,
Emilia Gómez,
Fabien Gouyon,
Markus Koppenberger:
MUCOSA: A Music Content Semantic Annotator.
ISMIR 2005: 77-83 |
| 3 | | Pedro Cano,
Eloi Batlle,
Emilia Gómez,
Leandro de C. T. Gomes,
Madeleine Bonnet:
Audio Fingerprinting: Concepts And Applications.
Computational Intelligence for Modelling and Prediction 2005: 233-245 |
| 2004 |
|---|
| 2 | | Emilia Gómez,
Perfecto Herrera:
Estimating The Tonality Of Polyphonic Audio Files: Cognitive Versus Machine Learning Modelling Strategies.
ISMIR 2004 |
| 2002 |
|---|
| 1 | | Pedro Cano,
Eloi Batlle,
Emilia Gómez,
Leandro de C. T. Gomes,
Madeleine Bonnet:
Audio Fingerprinting: Concepts and Application.
FSKD 2002: 389-393 |
