 | 2009 |
|---|
| 8 |       | Catherine Stevens,
Agnes Petocz:
The User Knows: Considering the Cognitive Contribution of the User in the Design of Auditory Warnings.
HCI (17) 2009: 126-135 |
| 7 | | Siné McDougall,
Alexandra Forsythe,
Sarah Isherwood,
Agnes Petocz,
Irene Reppa,
Catherine Stevens:
The Use of Multimodal Representation in Icon Interpretation.
HCI (17) 2009: 62-70 |
| 6 | | Catherine Stevens,
Emery Schubert,
Rua Haszard Morris,
Matt Frear,
Johnson Chen,
Sue Healey,
Colin Schoknecht,
Stephen Hansen:
Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance.
Int. J. Hum.-Comput. Stud. 67(9): 800-813 (2009) |
| 2007 |
|---|
| 5 | | Sonia Wilkie,
Catherine Stevens,
Roger Dean:
Psychoacoustic Manipulation of the Sound-Induced Illusory Flash.
CMMR 2007: 223-234 |
| 4 | | Caroline Jones,
Lynn Berry,
Catherine Stevens:
Synthesized speech intelligibility and persuasion: Speech rate and non-native listeners.
Computer Speech & Language 21(4): 641-651 (2007) |
| 2005 |
|---|
| 3 | | Catherine Stevens,
Nicole Lees,
Julie Vonwiller,
Denis Burnham:
On-line experimental methods to evaluate text-to-speech (TTS) synthesis: effects of voice gender and signal quality on intelligibility, naturalness and preference.
Computer Speech & Language 19(2): 129-146 (2005) |
| 2004 |
|---|
| 2 | | Catherine Stevens,
David Brennan,
Simon Parker:
Simultaneous Manipulation of Parameters of Auditory Icons to Convey Direction, Size, and Distance: Effects on Recognition and Interpretation.
ICAD 2004 |
| 1993 |
|---|
| 1 | | Catherine Stevens,
Janet Wiles:
Tonal Music as a Componential Code: Learning Temporal Relationships between and within Pitch and Timing Components.
NIPS 1993: 1085-1092 |
