| 2009 | ||
|---|---|---|
| 24 | José Miguel Salles Dias, Sylvie Gibet, Marcelo M. Wanderley, Rafael Bastos: Gesture-Based Human-Computer Interaction and Simulation, 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers Springer 2009 | |
| 23 | Stephen Sinclair, Marcelo M. Wanderley: A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers 21(1-2): 54-63 (2009) | |
| 2007 | ||
| 22 | Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley: A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments. CMMR 2007: 401-425 | |
| 21 | Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, Frédéric Bevilacqua: String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. Gesture Workshop 2007: 216-226 | |
| 20 | Mark T. Marshall, Joseph Malloch, Marcelo M. Wanderley: Gesture Control of Sound Spatialization for Live Musical Performance. Gesture Workshop 2007: 227-238 | |
| 19 | Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo M. Wanderley: Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. Gesture Workshop 2007: 48-56 | |
| 2006 | ||
| 18 | Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot: SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. NIME 2006: 180-183 | |
| 17 | Anne-Marie Burns, Marcelo M. Wanderley: Visual Methods for the Retrieval of Guitarist Fingering. NIME 2006: 196-199 | |
| 16 | Mark T. Marshall, Marcelo M. Wanderley: Vibrotactile Feedback in Digital Musical Instruments. NIME 2006: 226-229 | |
| 15 | Rodolphe Koehly, Marcelo M. Wanderley, Denis Curtil: Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. NIME 2006: 230-233 | |
| 2005 | ||
| 14 | Alexander Refsum Jensenius, Rodolphe Koehly, Marcelo M. Wanderley: Building Low-Cost Music Controllers. CMMR 2005: 123-129 | |
| 13 | Mark T. Marshall, Marcelo M. Wanderley: Evaluation of Sensors as Input Devices for Computer Music Interfaces. CMMR 2005: 130-139 | |
| 12 | Paul Kolesnik, Marcelo M. Wanderley: Implementation of the Discrete Hidden Markov Model in Max/MSP Environment. FLAIRS Conference 2005: 68-73 | |
| 11 | Andrey R. da Silva, Marcelo M. Wanderley, Gary P. Scavone: On the Use of Flute Air Jet as A Musical Control Variable. NIME 2005: 105-108 | |
| 10 | David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley: Towards a Dimension Space for Musical Artifacts. NIME 2005: 192-195 | |
| 9 | Elliot Sinyor, Marcelo M. Wanderley: Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. NIME 2005: 42-45 | |
| 2004 | ||
| 8 | Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle: On the Choice of Mappings Based On Geometric Properties. NIME 2004: 87-91 | |
| 2003 | ||
| 7 | Bradley W. Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina L. Nuzzo, Daniel J. Levitin: Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey? Gesture Workshop 2003: 468-478 | |
| 6 | Caroline Traube, Philippe Depalle, Marcelo M. Wanderley: Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. NIME 2003: 42-48 | |
| 2002 | ||
| 5 | Andy Hunt, Marcelo M. Wanderley, Matthew Paradis: The Importance of Parameter Mapping in Electronic Instrument Design. NIME 2002: 149-154 | |
| 2001 | ||
| 4 | Marcelo M. Wanderley: Quantitative Analysis of Non-obvious Performer Gestures. Gesture Workshop 2001: 241-253 | |
| 3 | Nicola Orio, Norbert Schnell, Marcelo M. Wanderley: Input Devices for Musical Expression: Borrowing Tools from HCI. NIME 2001 | |
| 2 | Marcelo M. Wanderley: The jMax Digitizing Tablet. NIME 2001 | |
| 1999 | ||
| 1 | Marcelo M. Wanderley: Non-obvious Performer Gestures in Instrumental Music. Gesture Workshop 1999: 37-48 | |