Computer Music Journal, Volume 30

Volume 30, Number 1, Spring 2006

• John Snell:
  How Did Computer Music Journal Come to Exist? 10-20
  

• Eric Lee, Thorsten Karrer, Jan O. Borchers:
  Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams. 21-36
  
• Anders Friberg:
  pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules. 37-48
  
• Ali Momeni, Cyrille Henry:
  Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis. 49-66
  

• Rodrigo F. Cádiz:
  A Fuzzy-Logic Mapper for Audiovisual Media. 67-82
  

Volume 30, Number 2, Summer 2006

• Nick Collins, Fredrik Olofsson:
  klipp av: Live Algorithmic Splicing and Audiovisual Event Capture. 8-18
  

• Vesa Välimäki, Antti Huovilainen:
  Oscillator and Filter Algorithms for Virtual Analog Synthesis. 19-31
  
• Mitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad:
  A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes. 32-41
  

• Matthew L. Cooper, Jonathan Foote, Elias Pampalk, George Tzanetakis:
  Visualization in Audio-Based Music Information Retrieval. 42-62
  
• Shlomo Dubnov:
  Spectral Anticipations. 63-83
  

Volume 30, Number 3, Fall 2006

• Rosemary Mountain:
  From Wire to Computer: Francis Dhomont at 80. 10-21
  

• Cynthia Bruyns:
  Modal Synthesis for Arbitrarily Shaped Objects. 22-37
  

• Roberto Oboe:
  A Multi-Instrument, Force-Feedback Keyboard. 38-52
  

• Gretchen C. Foley, Charles A. Cusack:
  Computer-Assisted Analysis of Music in George Perle's System of Twelve-Tone Tonality. 53-66
  

• Greg Aloupis, Thomas Fevens, Stefan Langerman, Tomomi Matsui, Antonio Mesa, Yurai Núñez Rodríguez, David Rappaport, Godfried T. Toussaint:
  Algorithms for Computing Geometric Measures of Melodic Similarity. 67-76
  

Volume 30, Number 4, Winter 2006

• Jorge Solis, Keisuke Chida, Koichi Taniguchi, Shinichiro Michael Hashimoto, Kei Suefuji, Atsuo Takanishi:
  The Waseda Flutist Robot WF-4RII in Comparison with a Professional Flutist. 12-27
  
• Gil Weinberg, Scott Driscoll:
  Toward Robotic Musicianship. 28-45
  

• Bob L. Sturm:
  Adaptive Concatenative Sound Synthesis and Its Application to Micromontage Composition. 46-66
  

• Mika Kuuskankare, Mikael Laurson:
  Expressive Notation Package. 67-79
  

• Rui Pedro Paiva, Teresa Mendes, Amílcar Cardoso:
  Melody Detection in Polyphonic Musical Signals: Exploiting Perceptual Rules, Note Salience, and Melodic Smoothness. 80-98
  

Last update Fri May 24 20:07:14 2013 CET by the DBLP Team — Data released under the ODC-BY 1.0 license — See also our legal information page