Volume 34,
Number 1,
Spring 2010
Computer-Assisted Composition
Sound Synthesis
Emotion and Expression
- Steven R. Livingstone, Ralf Mühlberger, Andrew R. Brown, William F. Thompson:
Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance.
41-64
- Luca Mion, Gianluca D'Incà, Amalia de Götzen, Ennio Rapanà:
Modeling Expression with Perceptual Audio Features to Enhance User Interaction.
65-79
- Eduardo Reck Miranda, Alexis Kirke, Qijun Zhang:
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach.
80-96
- Joyce Shintani:
Art | 40 | Basel: Media Art with Music.
97-100
- Jonathan Bragg, Cheng-Zhi Anna Huang:
Mathematics and Computation in Music 2009: John Clough Memorial Conference.
100-102
- Ian Whalley:
David Temperley: Music and Probability.
102-104
- Jeffrey Treviño:
David W. Bernstein, Ed.: The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde.
104-106
- Thom Blum:
Évelyne Gayou, Editor: Polychrome Portraits 14: Pierre Schaeffer.
106-111
- Michael Boyd:
Amnon Wolman: The Marilyn Series.
111-112
- Elainie Lillios:
Barry Schrader: Fallen Sparrow; Barry Schrader: Monkey King.
112-114
- Patricia L. Dirks:
Natasha Barrett: Trade Winds.
114-115
- Patricia L. Dirks:
Natasha Barrett/Tanja Orning: DR.OX.
116-117
Volume 34,
Number 2,
Summer 2010
Computer-Assisted Composition and Theory
New Interfaces for Control of Sound Generation
The Technology of Networked Music Performance
Volume 34,
Number 3,
Fall 2010
Sound and Music Computing Conference Organization
Music Information Retrieval
The Technology of Network Music Performance
Analysis of Performed Music
Algorithmic Composition
Volume 34,
Number 4,
Winter 2010
Human-Computer Interaction
- Gascia Ouzounian:
An Interview with Paul DeMarinis.
10-21
- Matthew Duignan, James Noble, Robert Biddle:
Abstraction and Activity in Computer-Mediated Music Production.
22-33
- Katie Wilkie, Simon Holland, Paul Mulholland:
What Can the Language of Musicians Tell Us about Music Interaction Design?
34-48
- Steve Benford:
Performing Musical Interaction: Lessons from the Study of Extended Theatrical Performances.
49-61
- Thor Magnusson:
Designing Constraints: Composing and Performing with Digital Musical Systems.
62-73
- Michael Boyd:
Society for Electro-Acoustic Music in the United States 2010 National Conference.
74-75
- James Harley:
Ralph Paland and Christoph von Blumröder, Eds.: Iannis Xenakis: Das elektroakustiche Werk.
75-77
- James Harley:
Various: Recovery/Discovery - 40 Years of Surround Electronic Music in the UK.
77-79
Last update Sat May 26 05:45:28 2012
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