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Simon Dixon
2010 – today
- 2012
[j5]Emmanouil Benetos, Simon Dixon: A Shift-Invariant Latent Variable Model for Automatic Music Transcription. Computer Music Journal 36(4): 81-94 (2012)- [c40]Emmanouil Benetos, Simon Dixon: Temporally-Constrained Convolutive Probabilistic Latent Component Analysis for Multi-pitch Detection. LVA/ICA 2012: 364-371
- [c39]Holger Kirchhoff, Simon Dixon, Anssi Klapuri: Shift-variant non-negative matrix deconvolution for music transcription. ICASSP 2012: 125-128
- [c38]
- [c37]
- [c36]Emmanouil Benetos, Simon Dixon, Dimitrios Giannoulis, Holger Kirchhoff, Anssi Klapuri: Automatic Music Transcription: Breaking the Glass Ceiling. ISMIR 2012: 379-384
- [c35]Holger Kirchhoff, Simon Dixon, Anssi Klapuri: Multi-Template Shift-Variant Non-Negative Matrix Deconvolution for Semi-Automatic Music Transcription. ISMIR 2012: 415-420
- [c34]Michael Terrell, György Fazekas, Andrew Simpson, Jordan Smith, Simon Dixon: Listening Level Changes Music Similarity. ISMIR 2012: 487-492
- [c33]Yading Song, Simon Dixon, Marcus Pearce: Evaluation of Musical Features for Emotion Classification. ISMIR 2012: 523-528
- 2011
- [j4]Emmanouil Benetos, Simon Dixon: Joint Multi-Pitch Detection Using Harmonic Envelope Estimation for Polyphonic Music Transcription. J. Sel. Topics Signal Processing 5(6): 1111-1123 (2011)
- [c32]Emmanouil Benetos, Simon Dixon: Polyphonic music transcription using note onset and offset detection. ICASSP 2011: 37-40
- [c31]Robert Macrae, Joachim Neumann, Xavier Anguera, Nuria Oliver, Simon Dixon: Real-time synchronisation of multimedia streams in a mobile device. ICME 2011: 1-6
- [c30]Simon Dixon, Dan Tidhar, Emmanouil Benetos: The Temperament Police: The Truth, the Ground Truth, and Nothing but the Truth. ISMIR 2011: 281-286
- [c29]Dan Stowell, Simon Dixon: MIR in School? Lessons from Ethnographic Observation of Secondary School Music Classes. ISMIR 2011: 347-352
- [c28]Mathieu Barthet, Simon Dixon: Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval. ISMIR 2011: 353-358
- [c27]
- [c26]Emmanouil Benetos, Simon Dixon: A temporally-constrained convolutive probabilistic model for pitch detection. WASPAA 2011: 133-136
- [i1]Meinard Müller, Masataka Goto, Simon Dixon: Multimodal Music Processing (Dagstuhl Seminar 11041). Dagstuhl Reports 1(1): 68-101 (2011)
- 2010
- [j3]Matthias Mauch, Simon Dixon: Simultaneous Estimation of Chords and Musical Context From Audio. IEEE Transactions on Audio, Speech & Language Processing 18(6): 1280-1289 (2010)
- [c25]Simon Dixon, Matthias Mauch, Amelie Anglade: Probabilistic and Logic-Based Modelling of Harmony. CMMR 2010: 1-19
- [c24]Dan Tidhar, Matthias Mauch, Simon Dixon: High precision frequency estimation for harpsichord tuning classification. ICASSP 2010: 61-64
- [c23]
- [c22]Matthias Mauch, Simon Dixon: Approximate Note Transcription for the Improved Identification of Difficult Chords. ISMIR 2010: 135-140
- [c21]
2000 – 2009
- 2009
- [c20]Matthias Mauch, Katy Noland, Simon Dixon: Using Musical Structure to Enhance Automatic Chord Transcription. ISMIR 2009: 231-236
- [c19]Amelie Anglade, Rafael Ramirez, Simon Dixon: Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions. ISMIR 2009: 669-674
- 2008
- [c18]Andreas Arzt, Gerhard Widmer, Simon Dixon: Automatic Page Turning for Musicians via Real-Time Machine Listening. ECAI 2008: 241-245
- [c17]
- [c16]Amelie Anglade, Simon Dixon: Characterisation of Harmony With Inductive Logic Programming. ISMIR 2008: 63-68
- 2007
- [c15]Matthias Mauch, Simon Dixon, Christopher Harte, Michael Casey, Benjamin Fields: Discovering Chord Idioms Through Beatles and Real Book Songs. ISMIR 2007: 255-258
- [e1]Simon Dixon, David Bainbridge, Rainer Typke (Eds.): Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR 2007, Vienna, Austria, September 23-27, 2007. Austrian Computer Society 2007, ISBN 978-3-85403-218-2
- 2006
- [j2]Fabien Gouyon, Anssi Klapuri, Simon Dixon, M. Alonso, George Tzanetakis, C. Uhle, Pedro Cano: An experimental comparison of audio tempo induction algorithms. IEEE Transactions on Audio, Speech & Language Processing 14(5): 1832-1844 (2006)
- [c14]Arthur Flexer, Fabien Gouyon, Simon Dixon, Gerhard Widmer: Probabilistic Combination of Features for Music Classification. ISMIR 2006: 111-114
- 2005
- [c13]Simon Dixon: An On-Line Time Warping Algorithm for Tracking Musical Performances. IJCAI 2005: 1727-1728
- [c12]
- [r1]Simon Dixon: Audio Analysis Applications for Music. Encyclopedia of Information Science and Technology (I) 2005: 188-196
- 2004
- [c11]Simon Dixon, Fabien Gouyon, Gerhard Widmer: Towards Characterisation of Music via Rhythmic Patterns. ISMIR 2004
- [c10]
- 2003
- [j1]Gerhard Widmer, Simon Dixon, Werner Goebl, Elias Pampalk, Asmir Tobudic: In Search of the Horowitz Factor. AI Magazine 24(3): 111-130 (2003)
- [c9]Simon Dixon, Elias Pampalk, Gerhard Widmer: Classification of dance music by periodicity patterns. ISMIR 2003
- [c8]Elias Pampalk, Simon Dixon, Gerhard Widmer: Exploring music collections by browsing different views. ISMIR 2003
- [c7]Simon Dixon: Analysis of musical expression in audio signals. Storage and Retrieval for Media Databases 2003: 122-132
- 2002
- [c6]Simon Dixon, Werner Goebl, Gerhard Widmer: Real Time Tracking and Visualisation of Musical Expression. ICMAI 2002: 58-68
- 2000
- [c5]
- [c4]
1990 – 1999
- 1997
- [c3]Simon Dixon: Beat Induction and Rhythm Recognition. Australian Joint Conference on Artificial Intelligence 1997: 311-320
- 1993
- [c2]Simon Dixon, Wayne Wobcke: The Implementation of a First-Order Logic AGM Belief Revision System. ICTAI 1993: 40-47
- [c1]Simon Dixon, Norman Y. Foo: Connections Between the ATMS and AGM Belief Revision. IJCAI 1993: 534-539
Coauthor Index
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last updated on 2013-06-07 21:34 CEST by the dblp team