- CSB - MetaPress - Google - Bing - Yahoo
 | 2013 | |
|---|---|---|
| j8 |      | Justin Salamon, Joan Serrà, Emilia Gómez: Tonal representations for music retrieval: from version identification to query-by-humming. IJMIR 2(1): 45-58 (2013) |
| j7 | | Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera: Semantic audio content-based music recommendation and visualization based on user preference examples. Inf. Process. Manage. 49(1): 13-33 (2013) |
| 2012 | ||
| j6 | | Justin Salamon, Emilia Gómez: Melody Extraction From Polyphonic Music Signals Using Pitch Contour Characteristics. IEEE Transactions on Audio, Speech & Language Processing 20(6): 1759-1770 (2012) |
| c18 | | Markus Schedl, Sebastian Stober, Emilia Gómez, Nicola Orio, Cynthia C. S. Liem: User-Aware Music Retrieval. Multimodal Music Processing 2012: 135-156 |
| c17 | | Justin Salamon, Bruno Miguel Machado Rocha, Emilia Gómez: Musical genre classification using melody features extracted from polyphonic music signals. ICASSP 2012: 81-84 |
| c16 | | Aggelos Pikrakis, Francisco Gómez, Sergio Oramas, José Miguel Díaz-Báñez, Joaquín Mora, Francisco Escobar-Borrego, Emilia Gómez, Justin Salamon: Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. ISMIR 2012: 421-426 |
| c15 | | Emilia Gómez, Francisco J. Cañadas-Quesada, Justin Salamon, Jordi Bonada, Pedro Vera Candea, Pablo Cabañas Molero: Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. ISMIR 2012: 601-606 |
| c14 | | Justin Salamon, Joan Serrà, Emilia Gómez: Melody, bass line, and harmony representations for music version identification. WWW (Companion Volume) 2012: 887-894 |
| 2011 | ||
| c13 | | Leonidas Ioannidis, Emilia Gómez, Perfecto Herrera: Tonal-based retrieval of Arabic and middle-east music by automatic makam description. CBMI 2011: 31-36 |
| c12 | | Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera: A content-based system for music recommendation and visualization of user preferences working on semantic notions. CBMI 2011: 249-252 |
| c11 | | Agustín Martorell, Emilia Gómez: Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty over Time. MCM 2011: 140-150 |
| 2010 | ||
| j5 | | Miguel Molina-Solana, Josep Lluís Arcos, Emilia Gómez: Identifying violin performers by their expressive trends. Intell. Data Anal. 14(5): 555-571 (2010) |
| c10 | | Martín Haro, Anna Xambó, Ferdinand Fuhrmann, Dmitry Bogdanov, Emilia Gómez, Perfecto Herrera: The Musical Avatar: a visualization of musical preferences by means of audio content description. Audio Mostly Conference 2010: 14 |
| c9 | | Joaquín Mora, Francisco Gómez, Emilia Gómez, Francisco Escobar-Borrego, José Miguel Díaz-Báñez: Characterization and Similarity in A Cappella Flamenco Cantes. ISMIR 2010: 351-356 |
| p2 | | Joan Serrà, Emilia Gómez, Perfecto Herrera: Audio Cover Song Identification and Similarity: Background, Approaches, Evaluation, and Beyond. Advances in Music Information Retrieval 2010: 307-332 |
| 2009 | ||
| c8 | | Emilia Gómez, Martín Haro, Perfecto Herrera: Music and Geography: Content Description of Musical Audio from Different Parts of the World. ISMIR 2009: 753-758 |
| 2008 | ||
| j4 | | Joan Serrà, Emilia Gómez, Perfecto Herrera, Xavier Serra: Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. IEEE Transactions on Audio, Speech & Language Processing 16(6): 1138-1151 (2008) |
| c7 | | Joan Serrà, Emilia Gómez: Audio cover song identification based on tonal sequence alignment. ICASSP 2008: 61-64 |
| c6 | | Miguel Molina-Solana, Josep Lluís Arcos, Emilia Gómez: Using Expressive Trends for Identifying Violin P erformers. ISMIR 2008: 495-500 |
| 2007 | ||
| j3 | | Graham E. Poliner, Daniel P. W. Ellis, A. F. Ehmann, Emilia Gómez, S. Streich, Beesuan Ong: Melody Transcription From Music Audio: Approaches and Evaluation. IEEE Transactions on Audio, Speech & Language Processing 15(4): 1247-1256 (2007) |
| j2 | | Rafael Ramirez, Esteban Maestre, Antonio Pertusa, Emilia Gómez, Xavier Serra: Performance-Based Interpreter Identification in Saxophone Audio Recordings. IEEE Trans. Circuits Syst. Video Techn. 17(3): 356-364 (2007) |
| 2006 | ||
| j1 | | Emilia Gómez: Tonal Description of Polyphonic Audio for Music Content Processing. INFORMS Journal on Computing 18(3): 294-304 (2006) |
| c5 |  | Emilia Gómez, Perfecto Herrera: The song remains the same: identifying versions of the same piece using tonal descriptors. ISMIR 2006: 180-185 |
| 2005 | ||
| c4 | | Christopher Harte, Mark B. Sandler, Samer A. Abdallah, Emilia Gómez: Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations. ISMIR 2005: 66-71 |
| c3 | | Perfecto Herrera, Òscar Celma, Jordi Massaguer, Pedro Cano, Emilia Gómez, Fabien Gouyon, Markus Koppenberger: MUCOSA: A Music Content Semantic Annotator. ISMIR 2005: 77-83 |
| p1 | | Pedro Cano, Eloi Batlle, Emilia Gómez, Leandro de C. T. Gomes, Madeleine Bonnet: Audio Fingerprinting: Concepts And Applications. Computational Intelligence for Modelling and Prediction 2005: 233-245 |
| 2004 | ||
| c2 | | Emilia Gómez, Perfecto Herrera: Estimating The Tonality Of Polyphonic Audio Files: Cognitive Versus Machine Learning Modelling Strategies. ISMIR 2004 |
| 2002 | ||
| c1 | | Pedro Cano, Eloi Batlle, Emilia Gómez, Leandro de C. T. Gomes, Madeleine Bonnet: Audio Fingerprinting: Concepts and Application. FSKD 2002: 389-393 |
Colors in the list of coauthors
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