| 2012 | ||
|---|---|---|
| j6 | Anthony Prechtl, Andrew J. Milne, Simon Holland, Robin C. Laney, David B. Sharp: A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings. Computer Music Journal 36(1): 42-54 (2012) | |
| c21 | Nick Sheep Dalton, Gordon MacKay, Simon Holland: Kolab: appropriation & improvisation in mobile tangible collaborative interaction. Conference on Designing Interactive Systems 2012: 21-24 | |
| 2011 | ||
| c20 | Andrew J. Milne, Martin Carlé, William A. Sethares, Thomas Noll, Simon Holland: Scratching the Scale Labyrinth. MCM 2011: 180-195 | |
| p2 | Simon Holland, Katie Wilkie, Anders J. Bouwer, Mat Dalgleish, Paul Mulholland: Whole Body Interaction in Abstract Domains. Whole Body Interaction 2011: 19-34 | |
| 2010 | ||
| j5 | Katie Wilkie, Simon Holland, Paul Mulholland: What Can the Language of Musicians Tell Us about Music Interaction Design? Computer Music Journal 34(4): 34-48 (2010) | |
| c19 | Simon Holland, Anders J. Bouwer, Mathew Dalgelish, Topi M. Hurtig: Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit. Tangible and Embedded Interaction 2010: 21-28 | |
| 2009 | ||
| j4 | Arturo Nakasone, Helmut Prendinger, Simon Holland, Piet Hut, Jun Makino, Ken Miura: AstroSim: Collaborative Visualization of an Astrophysics Simulation in Second Life. IEEE Computer Graphics and Applications 29(5): 69-81 (2009) | |
| c18 | Katie Wilkie, Simon Holland, Paul Mulholland: Evaluating musical software using conceptual metaphors. BCS HCI 2009: 232-237 | |
| c17 | Simon Holland, Paul Marshall, Jon Bird, Nick Sheep Dalton, Richard Morris, Nadia Pantidi, Yvonne Rogers, Andy Clark: Running up Blueberry Hill: prototyping whole body interaction in harmony space. Tangible and Embedded Interaction 2009: 93-98 | |
| 2007 | ||
| j3 | Patrick Hill, Simon Holland, Robin C. Laney: An Introduction to Aspect-Oriented Music Representation. Computer Music Journal 31(4): 47-58 (2007) | |
| 2006 | ||
| c16 | Patrick Hill, Simon Holland, Robin C. Laney: Symmetric composition of musical concerns. AOSD 2006: 226-236 | |
| 2004 | ||
| c15 | Simon Holland: A First Empirical Study of Direct Combination in a Ubiquitous Environment. BCS HCI 2004: 229-248 | |
| c14 | Simon Holland, Robert Day, Grégory Leplâtre, Alistair D. N. Edwards: Mobile HCI and Sound. Mobile HCI 2004: 527-528 | |
| c13 | Simon Holland: Reflective composition: the declarative composition of roles to unify objects, roles, and aspects. OOPSLA Companion 2004: 224-225 | |
| 2002 | ||
| j2 | Simon Holland, David R. Morse, Henrik Gedenryd: AudioGPS: Spatial Audio Navigation with a Minimal Attention Interface. Personal and Ubiquitous Computing 6(4): 253-259 (2002) | |
| c12 | Simon Holland, David R. Morse, Henrik Gedenryd: Direct Combination: A New User Interaction. Mobile HCI 2002: 108-122 | |
| 2000 | ||
| p1 | Simon Holland: Artificial Intelligence in Music Education: A Critical Review. Readings in Music and Artificial Intelligence 2000: 239-274 | |
| 1999 | ||
| c11 | ||
| c10 | Mark Woodman, Robert Griffiths, Malcolm Macgregor, Simon Holland, Hugh Robinson: Exploiting Smalltalk Modules in a Customizable Programming Environment. ICSE 1999: 65-74 | |
| c9 | Mark Woodman, Robert Griffiths, Malcolm Macgregor, Simon Holland: OU LearningWorks: A Customized Programming Environment for Smalltalk Modules. ICSE 1999: 638-641 | |
| c8 | Robert Griffiths, Mark Woodman, Simon Holland, Malcolm Macgregor, Hugh Robinson: Separable UI Architectures in Teaching Object Technology. TOOLS (30) 1999: 290-299 | |
| c7 | Mark Woodman, Robert Griffiths, Simon Holland, Hugh Robinson, Malcolm Macgregor: Employing Object Technology to Expose Fundamental Object Concepts. TOOLS (29) 1999: 371-383 | |
| 1997 | ||
| c6 | ||
| c5 | Mark Woodman, Robert Griffiths, Simon Holland, Andrew Law: The object shop - Using CD-ROM multimedia to introduce object concepts. SIGCSE 1997: 345-349 | |
| 1996 | ||
| c4 | Mark Woodman, Simon Holland: From software user to software author: an initial pedagogy for introductory object-oriented computing. ITiCSE 1996: 60-62 | |
| c3 | Mark Woodman, Gordon Davies, Simon Holland: The joy of software - starting with objects. SIGCSE 1996: 88-92 | |
| 1993 | ||
| c2 | Simon Holland: Learning About Harmony with Harmony Space: An Overview. Music Education: An Artificial Intelligence Approach 1993: 24-40 | |
| c1 | Matt Smith, Simon Holland: MOTIVE: The Development of an AI Tool for Beginning Melody Composers. Music Education: An Artificial Intelligence Approach 1993: 41-55 | |
| 1992 | ||
| j1 | Simon Holland, Gordon Burgess: Beauty and the beast: New approaches to teaching computing for humanities students at the University of Aberdeen. Computers and the Humanities 26(4): 267-274 (1992) | |
Colors in the list of coauthors
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