| 2012 | ||
|---|---|---|
| j4 | Andrew P. McPherson, Youngmoo E. Kim: The Problem of the Second Performer: Building a Community Around an Augmented Piano. Computer Music Journal 36(4): 10-27 (2012) | |
| j3 | David Grunberg, Alyssa M. Batula, Erik M. Schmidt, Youngmoo E. Kim: Synthetic Emotions for Humanoids: Perceptual Effects of Size and Number of Robot Platforms. IJSE 3(2): 68-83 (2012) | |
| c29 | Erik M. Schmidt, Jeffrey J. Scott, Youngmoo E. Kim: Feature Learning in Dynamic Environments: Modeling the Acoustic Structure of Musical Emotion. ISMIR 2012: 325-330 | |
| 2011 | ||
| c28 | Andrew P. McPherson, Youngmoo E. Kim: Multidimensional gesture sensing at the piano keyboard. CHI 2011: 2789-2798 | |
| c27 | Youngmoo E. Kim, David Grunberg, Alyssa M. Batula, Daniel M. Lofaro, JunHo Oh, Paul Y. Oh: Enabling humanoid musical interaction and performance. CTS 2011: 212-215 | |
| c26 | David Grunberg, Daniel M. Lofaro, Paul Y. Oh, Youngmoo E. Kim: Robot audition and beat identification in noisy environments. IROS 2011: 2916-2921 | |
| c25 | Jacquelin A. Speck, Erik M. Schmidt, Brandon G. Morton, Youngmoo E. Kim: A Comparative Study of Collaborative vs. Traditional Musical Mood Annotation. ISMIR 2011: 549-554 | |
| c24 | Jeffrey J. Scott, Youngmoo E. Kim: Analysis of Acoustic Features for Automated Multi-Track Mixing. ISMIR 2011: 621-626 | |
| c23 | Erik M. Schmidt, Youngmoo E. Kim: Modeling Musical Emotion Dynamics with Conditional Random Fields. ISMIR 2011: 777-782 | |
| c22 | Erik M. Schmidt, Youngmoo E. Kim: Learning emotion-based acoustic features with deep belief networks. WASPAA 2011: 65-68 | |
| c21 | Raymond Migneco, Youngmoo E. Kim: Excitation modeling and synthesis for plucked guitar tones. WASPAA 2011: 193-196 | |
| c20 | Erik M. Schmidt, Raymond Migneco, Jeffrey J. Scott, Youngmoo E. Kim: Modeling musical instrument tones as dynamic textures. WASPAA 2011: 329-332 | |
| 2010 | ||
| c19 | ||
| c18 | Daniel M. Lofaro, Paul Y. Oh, JunHo Oh, Youngmoo E. Kim: Interactive musical participation with humanoid robots through the use of novel musical tempo and beat tracking techniques in the absence of auditory cues. Humanoids 2010: 436-441 | |
| c17 | Garth Griffin, Youngmoo E. Kim, Douglas Turnbull: Beat-Sync-Mash-Coder: A web application for real-time creation of beat-synchronous music mashups. ICASSP 2010: 437-440 | |
| c16 | Erik M. Schmidt, Youngmoo E. Kim: Prediction of Time-Varying Musical Mood Distributions Using Kalman Filtering. ICMLA 2010: 655-660 | |
| c15 | Youngmoo E. Kim, Erik M. Schmidt, Raymond Migneco, Brandon G. Morton, Patrick Richardson, Jeffrey J. Scott, Jacquelin A. Speck, Douglas Turnbull: State of the Art Report: Music Emotion Recognition: A State of the Art Review. ISMIR 2010: 255-266 | |
| c14 | Erik M. Schmidt, Youngmoo E. Kim: Prediction of Time-varying Musical Mood Distributions from Audio. ISMIR 2010: 465-470 | |
| c13 | Jeffrey J. Scott, Raymond Migneco, Brandon G. Morton, Christian M. Hahn, Paul Diefenbach, Youngmoo E. Kim: An Audio Processing Library for MIR Application Development in Flash. ISMIR 2010: 643-648 | |
| c12 | Derek Tingle, Youngmoo E. Kim, Douglas Turnbull: Exploring automatic music annotation with "acoustically-objective" tags. Multimedia Information Retrieval 2010: 55-62 | |
| c11 | Erik M. Schmidt, Douglas Turnbull, Youngmoo E. Kim: Feature selection for content-based, time-varying musical emotion regression. Multimedia Information Retrieval 2010: 267-274 | |
| c10 | Ashley M. Oudenne, Youngmoo E. Kim, Douglas Turnbull: Meerkat: exploring semantic music discovery using personalized radio. Multimedia Information Retrieval 2010: 429-432 | |
| 2009 | ||
| j2 | Youngmoo E. Kim, Paul Y. Oh, Odest Chadwicke Jenkins: The AAAI 2008 Robotics and Creativity Workshop. AI Magazine 30(1): 103-107 (2009) | |
| j1 | Youngmoo E. Kim, Travis M. Doll, Raymond Migneco: Collaborative Online Activities for Acoustics Education and Psychoacoustic Data Collection. TLT 2(3): 168-173 (2009) | |
| c9 | Robert Ellenberg, David Grunberg, Paul Y. Oh, Youngmoo E. Kim: Using miniature humanoids as surrogate research platforms. Humanoids 2009: 175-180 | |
| c8 | David Grunberg, Robert Ellenberg, Youngmoo E. Kim, Paul Y. Oh: Creating an autonomous dancing robot. ICHIT 2009: 221-227 | |
| c7 | Erik M. Schmidt, Kris West, Youngmoo E. Kim: Efficient Acoustic Feature Extraction for Music Information Retrieval Using Programmable Gate Arrays. ISMIR 2009: 273-278 | |
| c6 | Travis M. Doll, Raymond Migneco, Jeffrey J. Scott, Youngmoo E. Kim: An audio DSP Toolkit for rapid application development in Flash. MMSP 2009: 1-6 | |
| 2008 | ||
| c5 | Youngmoo E. Kim, Erik M. Schmidt, Lloyd Emelle: MoodSwings: A Collaborative Game for Music Mood Label Collection. ISMIR 2008: 231-236 | |
| c4 | Travis M. Doll, Raymond Migneco, Youngmoo E. Kim: Online Activities for Music Information and Acoustics Education and Psychoacoustic Data Collection. ISMIR 2008: 445-450 | |
| 2006 | ||
| c3 | Youngmoo E. Kim, Donald S. Williamson, Sridhar Pilli: Towards Quantifying the "Album Effect" in Artist Identification. ISMIR 2006: 393-394 | |
| 2002 | ||
| c2 | Youngmoo E. Kim, Brian Whitman: Singer Identification in Popular Music using Warped Linear Prediction. ISMIR 2002 | |
| 2000 | ||
| c1 | Youngmoo E. Kim, Wei Chai, Ricardo García, Barry Vercoe: Analysis of a Contour-based Representation for Melody. ISMIR 2000 | |
Colors in the list of coauthors
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