| 2013 | ||
|---|---|---|
| j5 | Andrea Kleinsmith, Nadia Bianchi-Berthouze: Affective Body Expression Perception and Recognition: A Survey. T. Affective Computing 4(1): 15-33 (2013) | |
| 2011 | ||
| j4 | Andrea Kleinsmith, Nadia Bianchi-Berthouze, Anthony Steed: Automatic Recognition of Non-Acted Affective Postures. IEEE Transactions on Systems, Man, and Cybernetics, Part B 41(4): 1027-1038 (2011) | |
| c6 | Andrea Kleinsmith, Nadia Bianchi-Berthouze: Form as a Cue in the Automatic Recognition of Non-acted Affective Body Expressions. ACII (1) 2011: 155-164 | |
| c5 | Hongying Meng, Andrea Kleinsmith, Nadia Bianchi-Berthouze: Multi-score Learning for Affect Recognition: The Case of Body Postures. ACII (1) 2011: 225-234 | |
| 2007 | ||
| c4 | Andrea Kleinsmith, Nadia Bianchi-Berthouze: Recognizing Affective Dimensions from Body Posture. ACII 2007: 48-58 | |
| 2006 | ||
| j3 | Andrea Kleinsmith, P. Ravindra De Silva, Nadia Bianchi-Berthouze: Cross-cultural differences in recognizing affect from body posture. Interacting with Computers 18(6): 1371-1389 (2006) | |
| 2005 | ||
| c3 | P. Ravindra De Silva, Andrea Kleinsmith, Nadia Bianchi-Berthouze: Towards Unsupervised Detection of Affective Body Posture Nuances. ACII 2005: 32-39 | |
| c2 | Andrea Kleinsmith, P. Ravindra De Silva, Nadia Bianchi-Berthouze: Grounding Affective Dimensions into Posture Features. ACII 2005: 263-270 | |
| c1 | Andrea Kleinsmith, P. Ravindra De Silva, Nadia Bianchi-Berthouze: Recognizing Emotion from Postures: Cross-Cultural Differences in User Modeling. User Modeling 2005: 50-59 | |
| 2004 | ||
| j2 | Nadia Bianchi-Berthouze, Andrea Kleinsmith: A categorical approach to affective gesture recognition. Connect. Sci. 16(1): 69 (2004) | |
| 2003 | ||
| j1 | Nadia Bianchi-Berthouze, Andrea Kleinsmith: A categorical approach to affective gesture recognition. Connect. Sci. 15(4): 259-269 (2003) | |
| 1 | Nadia Bianchi-Berthouze (Nadia Bianchi, Nadia Berthouze) | |
| 2 | Hongying Meng | |
| 3 | P. Ravindra De Silva (P. Ravindra S. De Silva) | |
| 4 | Anthony Steed |
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