- CSB - MetaPress - Google - Bing - Yahoo
 | 2009 | |
|---|---|---|
| j2 |      | Catherine Stevens, Emery Schubert, Rua Haszard Morris, Matt Frear, Johnson Chen, Sue Healey, Colin Schoknecht, Stephen Hansen: Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance. Int. J. Hum.-Comput. Stud. 67(9): 800-813 (2009) |
| c5 | | Siné McDougall, Alexandra Forsythe, Sarah Isherwood, Agnes Petocz, Irene Reppa, Catherine Stevens: The Use of Multimodal Representation in Icon Interpretation. HCI (17) 2009: 62-70 |
| c4 | | Catherine Stevens, Agnes Petocz: The User Knows: Considering the Cognitive Contribution of the User in the Design of Auditory Warnings. HCI (17) 2009: 126-135 |
| 2007 | ||
| c3 | | Sonia Wilkie, Catherine Stevens, Roger Dean: Psychoacoustic Manipulation of the Sound-Induced Illusory Flash. CMMR 2007: 223-234 |
| 2005 | ||
| j1 | | Catherine Stevens, Shirley McKechnie: Thinking in action: thought made visible in contemporary dance. Cognitive Processing 6(4): 243-252 (2005) |
| 2004 | ||
| c2 | | Catherine Stevens, David Brennan, Simon Parker: Simultaneous Manipulation of Parameters of Auditory Icons to Convey Direction, Size, and Distance: Effects on Recognition and Interpretation. ICAD 2004 |
| 1993 | ||
| c1 | | Catherine Stevens, Janet Wiles: Tonal Music as a Componential Code: Learning Temporal Relationships between and within Pitch and Timing Components. NIPS 1993: 1085-1092 |
Colors in the list of coauthors
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