Marcelo M. Wanderley

Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley: Libmapper: (a library for connecting things). CHI Extended Abstracts 2013: 3087-3090

Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley: Hybrid inverse motion control for virtual characters interacting with sound synthesis - Application to percussion motion. The Visual Computer 28(4): 357-370 (2012)

Alfonso Perez Carrillo, Marcelo M. Wanderley: Learning and extraction of violin instrumental controls from audio signal. MIRUM 2012: 25-30

Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola: Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal 35(3): 57-72 (2011)

Stephen Sinclair, Marcelo M. Wanderley: A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers 21(1-2): 54-63 (2009)

Florian Grond, Thomas Hermann, Vincent Verfaille, Marcelo M. Wanderley: Methods for Effective Sonification of Clarinetists' Ancillary Gestures. Gesture Workshop 2009: 171-181

Miguel Sales Dias, Sylvie Gibet, Marcelo M. Wanderley, Rafael Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation, 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. Lecture Notes in Computer Science 5085, Springer 2009, isbn 978-3-540-92864-5

Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley: A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments. CMMR 2007: 401-425

Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo M. Wanderley: Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. Gesture Workshop 2007: 48-56

Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, Frédéric Bevilacqua: String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. Gesture Workshop 2007: 216-226

Mark T. Marshall, Joseph Malloch, Marcelo M. Wanderley: Gesture Control of Sound Spatialization for Live Musical Performance. Gesture Workshop 2007: 227-238

Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot: SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. NIME 2006: 180-183

Anne-Marie Burns, Marcelo M. Wanderley: Visual Methods for the Retrieval of Guitarist Fingering. NIME 2006: 196-199

Mark T. Marshall, Marcelo M. Wanderley: Vibrotactile Feedback in Digital Musical Instruments. NIME 2006: 226-229

Rodolphe Koehly, Marcelo M. Wanderley, Denis Curtil: Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. NIME 2006: 230-233

Alexander Refsum Jensenius, Rodolphe Koehly, Marcelo M. Wanderley: Building Low-Cost Music Controllers. CMMR 2005: 123-129

Mark T. Marshall, Marcelo M. Wanderley: Evaluation of Sensors as Input Devices for Computer Music Interfaces. CMMR 2005: 130-139

Paul Kolesnik, Marcelo M. Wanderley: Implementation of the Discrete Hidden Markov Model in Max/MSP Environment. FLAIRS Conference 2005: 68-73

Elliot Sinyor, Marcelo M. Wanderley: Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. NIME 2005: 42-45

Andrey R. da Silva, Marcelo M. Wanderley, Gary P. Scavone: On the Use of Flute Air Jet as A Musical Control Variable. NIME 2005: 105-108

David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley: Towards a Dimension Space for Musical Artifacts. NIME 2005: 192-195

Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle: On the Choice of Mappings Based On Geometric Properties. NIME 2004: 87-91

Bradley W. Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina L. Nuzzo, Daniel J. Levitin: Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey? Gesture Workshop 2003: 468-478

Caroline Traube, Philippe Depalle, Marcelo M. Wanderley: Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. NIME 2003: 42-48

Andy Hunt, Marcelo M. Wanderley, Matthew Paradis: The Importance of Parameter Mapping in Electronic Instrument Design. NIME 2002: 149-154

Marcelo M. Wanderley: Quantitative Analysis of Non-obvious Performer Gestures. Gesture Workshop 2001: 241-253

Nicola Orio, Norbert Schnell, Marcelo M. Wanderley: Input Devices for Musical Expression: Borrowing Tools from HCI. NIME 2001

Marcelo M. Wanderley: The jMax Digitizing Tablet. NIME 2001

Marcelo M. Wanderley: Non-obvious Performer Gestures in Instrumental Music. Gesture Workshop 1999: 37-48