| 2013 | ||
|---|---|---|
| c32 | Jamie Forth, Thanasis Giannimaras, Geraint A. Wiggins, Robert Stewart, Diana Bental, Ruth Aylett, Deborah Maxwell, Hadi Mehrpouya, Jamie Shek, Mel Woods: SerenA: A Multi-site Pervasive Agent Environment That Supports Serendipitous Discovery in Research. PAAMS 2013: 85-96 | |
| c31 | Jamie Forth, Athanasios Giannimaras, Geraint A. Wiggins, Robert Stewart, Diana Bental, Ruth Aylett, Deborah Maxwell, Hadi Mehrpouya, Jamie Shek, Mel Woods: Demonstrating SerenA: Chance Encounters in the Space of Ideas. PAAMS 2013: 275-278 | |
| 2012 | ||
| j11 | Geraint A. Wiggins: The Mind's Chorus: Creativity Before Consciousness. Cognitive Computation 4(3): 306-319 (2012) | |
| j10 | Sebastian Ewert, Meinard Müller, Verena Konz, Daniel Müllensiefen, Geraint A. Wiggins: Towards Cross-Version Harmonic Analysis of Music. IEEE Transactions on Multimedia 14(3-2): 770-782 (2012) | |
| c30 | ||
| c29 | ||
| c28 | Polina Proutskova, Christophe Rhodes, Geraint A. Wiggins, Tim Crawford: Breathy or Resonant - A Controlled and Curated Dataset for Phonation Mode Detection in Singing. ISMIR 2012: 589-594 | |
| 2010 | ||
| j9 | Jamie Forth, Geraint A. Wiggins, Alex McLean: Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. Minds and Machines 20(4): 503-532 (2010) | |
| j8 | Marcus Pearce, María Herrojo Ruiz, Selina Kapasi, Geraint A. Wiggins, Joydeep Bhattacharya: Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation. NeuroImage 50(1): 302-313 (2010) | |
| p2 | Marcus Pearce, Daniel Müllensiefen, Geraint A. Wiggins: Melodic Grouping in Music Information Retrieval: New Methods and Applications. Advances in Music Information Retrieval 2010: 364-388 | |
| 2009 | ||
| j7 | Amílcar Cardoso, Tony Veale, Geraint A. Wiggins: Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity. AI Magazine 30(3): 15-22 (2009) | |
| c27 | Sebastian Ewert, Meinard Müller, Daniel Müllensiefen, Michael Clausen, Geraint A. Wiggins: Case Study "Beatles Songs" - What can be Learned from Unreliable Music Alignments? Knowledge Representation for Intelligent Music Processing 2009 | |
| c26 | Eleanor Selfridge-Field, Frans Wiering, Geraint A. Wiggins: 09051 Abstracts Collection - Knowledge representation for intelligent music processing. Knowledge Representation for Intelligent Music Processing 2009 | |
| c25 | Geraint A. Wiggins: Semantic Gap?? Schemantic Schmap!! Methodological Considerations in the Scientific Study of Music. ISM 2009: 477-482 | |
| c24 | Kjell Lemström, Geraint A. Wiggins: Formalizing Invariances for Content-based Music Retrieval. ISMIR 2009: 591-596 | |
| e2 | Eleanor Selfridge-Field, Frans Wiering, Geraint A. Wiggins (Eds.): Knowledge Representation for Intelligent Music Processing, 25.01. - 30.01.2009. Dagstuhl Seminar Proceedings 09051, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany 2009 | |
| 2008 | ||
| j6 | Geraint A. Wiggins: Computer Models of Musical Creativity: A Review of Computer Models of Musical Creativity by David Cope. LLC 23(1): 109-116 (2008) | |
| c23 | Marcus Pearce, Daniel Müllensiefen, Geraint A. Wiggins: A Comparison of Statistical and Rule-Based Models of Melodic Segmentation. ISMIR 2008: 89-94 | |
| 2007 | ||
| c22 | Alastair J. D. Craft, Geraint A. Wiggins, Tim Crawford: How Many Beans Make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Systems. ISMIR 2007: 73-76 | |
| c21 | Daniel Müllensiefen, David Lewis, Christophe Rhodes, Geraint A. Wiggins: Evaluating a Chord-Labelling Algorithm. ISMIR 2007: 317-318 | |
| c20 | Hamish Allan, Daniel Müllensiefen, Geraint A. Wiggins: Methodological Considerations in Studies of Musical Similarity. ISMIR 2007: 473-478 | |
| c19 | Alex McLean, Frederic F. Leymarie, Geraint A. Wiggins: Apollonius diagrams and the Representation of Sounds and Music. ISVD 2007: 276-281 | |
| 2006 | ||
| j5 | Geraint A. Wiggins: A preliminary framework for description, analysis and comparison of creative systems. Knowl.-Based Syst. 19(7): 449-458 (2006) | |
| j4 | Geraint A. Wiggins: Searching for Computational Creativity. New Generation Comput. 24(3): 209-222 (2006) | |
| c18 | Raphaël Clifford, Manolis Christodoulakis, Tim Crawford, David Meredith, Geraint A. Wiggins: A Fast, Randomised, Maximal Subset Matching Algorithm for Document-Level Music Retrieval. ISMIR 2006: 150-155 | |
| 2005 | ||
| c17 | Tim Crawford, Jeremy Pickens, Geraint A. Wiggins: Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. CMMR 2005: 233-248 | |
| c16 | David Lewis, Tim Crawford, Geraint A. Wiggins, Michael Gale: Abstracting Musical Queries: Towards a Musicologist's Workbench. CMMR 2005: 249-258 | |
| c15 | ||
| 2004 | ||
| c14 | Marcus Pearce, Darrell Conklin, Geraint A. Wiggins: Methods for Combining Statistical Models of Music. CMMR 2004: 295-312 | |
| 2002 | ||
| c13 | Geraint A. Wiggins, Kjell Lemström, David Meredith: SIA(M)ESE: An Algorithm for Transposition Invariant, Polyphonic Content-Based Music Retrieval. ISMIR 2002 | |
| 2001 | ||
| j3 | Geraint A. Wiggins: Preface: The AISB'99 Convention and the Focus Workshop. Computers and the Humanities 35(1): 1-2 (2001) | |
| 2000 | ||
| p1 | Geraint A. Wiggins, Alan Smaill: Musical Knowledge: What can Artificial Intelligence Bring to the Musician? Readings in Music and Artificial Intelligence 2000: 29-46 | |
| c12 | Ben Curry, Geraint A. Wiggins, Gillian Hayes: Representing Trees with Constraints. Computational Logic 2000: 315-325 | |
| c11 | Geraint A. Wiggins, Shari Trewin: A System for Concerned Teaching of Musical Aural Skills. Intelligent Tutoring Systems 2000: 494-503 | |
| 1999 | ||
| c10 | Nigel Birch, James Plummer, Geraint A. Wiggins, Bronac Ferran, Robin Lyons: Nurturing creativity (panel session). Creativity & Cognition 1999: 30-35 | |
| 1995 | ||
| j2 | Geraint A. Wiggins: M. Balaban, K. Ebcioglu and O. Laske, eds., Understanding Music with AI - Perspectives on Cognitive Musicology. Artif. Intell. 79(2): 373-385 (1995) | |
| c9 | Andrew J. Parkes, Geraint A. Wiggins: Logic Program Synthesis by Induction over Horn Clauses. LOPSTR 1995: 170 | |
| 1994 | ||
| c8 | Bradley L. Richards, Ina Kraan, Alan Smaill, Geraint A. Wiggins: Mollusc: A General Proof-Development Shell for Sequent-Based Logics. CADE 1994: 826-830 | |
| c7 | Kung-Kiu Lau, Geraint A. Wiggins: A Tutorial on Synthesis of Logic Programs from Specifications. ICLP 1994: 11-14 | |
| c6 | Geraint A. Wiggins: Improving the Whelk System: A Type-Theoretic Reconstruction. LOPSTR 1994: 231-247 | |
| e1 | Matt Smith, Alan Smaill, Geraint A. Wiggins (Eds.): Music Education: An Artificial Intelligence Approach, Proceedings of a Workshop held as part of AI-ED 93, World Conference on Artificial Intelligence in Education, Edinburgh, Scotland, UK, 25 August 1993. Workshops in Computing, Springer 1994, isbn 3-540-19873-3 | |
| 1993 | ||
| j1 | Alan Smaill, Geraint A. Wiggins, Mitch Harris: Hierarchical music representation for composition and analysis. Computers and the Humanities 27(1): 7-17 (1993) | |
| c5 | Alan Smaill, Geraint A. Wiggins, Eduardo Miranda: Music Representation - Between the Musician and the Computer. Music Education: An Artificial Intelligence Approach 1993: 108-119 | |
| c4 | ||
| 1992 | ||
| c3 | Geraint A. Wiggins: Synthesis and Transformation of Logic Programs in the Whelk Proof Development System. JICSLP 1992: 351-365 | |
| c2 | Geraint A. Wiggins: Negation and Control on Automatically Generated Logic Programs. META 1992: 250-264 | |
| 1991 | ||
| c1 | Geraint A. Wiggins, Alan Bundy, Ina Kraan, Jane Hesketh: Synthesis and Transfomation of Logic Programs from Constructive, Inductive Proof. LOPSTR 1991: 27-45 | |
Colors in the list of coauthors
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